Summertime in the Steel City brings forth some pretty damn good concerts from the Pittsburgh New Music Ensemble, one of the best new music ensembles in the country, every year and this year isn’t any different. This summer PNME will be performing over twenty new works, including two commissioned world premieres by Houston’s Pierre Jalbert and Chicago’s Stacy Garrop, over the next four weekends under the direction of their executive artistic director, Kevin Noe.

They had their first concert last night, but you can still catch them this evening at the City Theatre (1300 Bingham St.) for an 8pm concert, and, in a sly bit of audience-building, if you attend a Friday show and want to see it again, they’ll let you in fo’ free with your Friday ticket stub – one could only wish other groups did something like that!

It should also be mentioned that there will be a CD release party tonight after the concert celebrating PNME’s newest release “Against the Emptiness” issued by New Dynamic Records featuring works by Jalbert, Kevin Puts, Russell Pinkston and Ryan Francis.

In case you’re curious about whose works they’re performing this summer – I got that right after the jump: (more…)

Almost everyone on the web has seen this by now but if you haven’t, take a look.  It’s a classic example of don’t-get-mad-get-even.

[youtube]http://www.youtube.com/watch?v=5YGc4zOqozo[/youtube]

We like to think that we live in the light, or as the current phrase goes — “it’s all good ” — when in reality everything really seems to happen in the dark where angels are wrestled with. This came forcibly to mind when I caught the San Francisco Composers Chamber Orchestra’s Restless Dreams concert on the June 13th at San Francisco’s Old First Church. The program — 8 pieces by 8 composers–also bore out music director Mark Alburger’s from the stage quip that it was Haydn’s “Farewell” Symphony in reverse — instruments were added instead of subtracted as it progressed. Restless Dreams also appeared to go from meditation to conflict, or light to dark.

Philip Freihofner’s Obelisk, which the composer wrote over a long period and “finalized” for this concert, could be described as meditative and/or minimalist in gesture. We tend to think that only loud pieces are powerful , but Freihofner’s soft one, which Rova Saxophone Quartet’s Steve Adams played, backed by a repeating figure on synth with passion and point, hit home. Lisa Scola Prosek’s Voodoo Storm, performed clarinettist Rachel Condry, trumpeter Eduard Prosek, cellist Juan Mejia, and pianist Scola Prosek was delicate and expressive, with subtle yet highly individualized part writing — Condry giving way to Eduard Prosek and vice versa — and it ended, in mid phrase, as so much in life does. (more…)

The timing gods may be with me…I’ll just happen to be in NYC for the day today and just might be able to make it down from LaGuardia to 153 Bleeker Street to see Signal performing Steve Reich’s Double Sextet and his original Sextet under the watchful eye of Brad Lubman. Tickets are $30 if you haven’t purchased them yet and there are shows tonight at 7:30pm & 10pm…if you happen to see a slightly disoriented guy with a cane (from a goofball injury last week) at the later show, that’ll probably be me.