San Francisco’s Mission District, home of so much that is cool, is a natural neighborhood for the arts. The San Francisco Community Music Center located at 544 Capp Street is the the Bay Area’s oldest community arts organization and San Francisco’s largest provider of low-cost, high quality music education. In 2008, 2,300 students of all ages, ethnicities and income levels enrolled in Music Center programs and over 16,000 people enjoyed musical performances at no or low cost. Starting this Sunday, the SFCMC will host the eighth annual Outsound New Music Summit, a festival which for all its success and longevity
Read moreSir Edward Downes, one of Britain’s most distinguished orchestra conductors, flew to Switzerland last week with his terminally-ill wife and joined her in drinking a lethal cocktail of barbiturates provided by an assisted-suicide clinic. He was not ill. I wish I had that kind of courage.
Read moreYes, it’s Proms season again here in the UK/GB (see link for the differences.) The “worlds greatest music festival” kicks off on Friday and I thought I would put together a vaguely ‘contemporary’ programme for those so inclined. Included are composers who are still alive regardless of ‘style’, and a few 20th century composers I thought relevant (excuse my subjective and rather fuzzy criteria; Stravinsky and Bartók are included for instance, Debussy, Ravel and Shostakovich are not; feel free to berate me in the comments section.) All the concerts listed will be broadcast live on BBC Radio 3 and will
Read moreSummertime in the Steel City brings forth some pretty damn good concerts from the Pittsburgh New Music Ensemble, one of the best new music ensembles in the country, every year and this year isn’t any different. This summer PNME will be performing over twenty new works, including two commissioned world premieres by Houston’s Pierre Jalbert and Chicago’s Stacy Garrop, over the next four weekends under the direction of their executive artistic director, Kevin Noe. They had their first concert last night, but you can still catch them this evening at the City Theatre (1300 Bingham St.) for an 8pm concert,
Read moreAlmost everyone on the web has seen this by now but if you haven’t, take a look. It’s a classic example of don’t-get-mad-get-even. [youtube]http://www.youtube.com/watch?v=5YGc4zOqozo[/youtube]
Read moreAnd you thought the master was gone?… Nooo no no, not that easy… His foundation and famous summer courses in Kürten continue — even stronger, if that’s possible. Starting today, July 10th, and continuing every day through July 26th, at 8pm there’s a concert featuring Stockhausen’s work (interspersed with course participants, which spiritually is very much the same thing). It’s a crazy insane compendium of S.’s music, spanning decades; there’s just too much to put on the main page, so I’ll list it all after the jump (and why the hell isn’t German Radio or the BBC camped out for
Read moreLast week the BBC reported that the seminal electronic act Kraftwerk wowed the crowd at the Manchester Velodrome, not just with their music but a live riding appearance by the British Olympic cycling team during their classic song “Tour de France”! But also interesting was the opening act: Bang on a Can premiering Steve Reich‘s newest composition “2×5“. Scored for two sets of five instruments (hence “2×5”), the 21-minute piece calls for a total of ten musicians: four electric guitars, two pianos, two bass guitars, and two drum sets. And this from Reich: “It took me until 2009 to finally
Read moreWe like to think that we live in the light, or as the current phrase goes — “it’s all good ” — when in reality everything really seems to happen in the dark where angels are wrestled with. This came forcibly to mind when I caught the San Francisco Composers Chamber Orchestra’s Restless Dreams concert on the June 13th at San Francisco’s Old First Church. The program — 8 pieces by 8 composers–also bore out music director Mark Alburger’s from the stage quip that it was Haydn’s “Farewell” Symphony in reverse — instruments were added instead of subtracted as it
Read moreHilary Hahn doesn’t need much introduction; as one of the leading violinists today, many of you have any number of her recordings or have been lucky enough to catch her in concert. Usually we put our stars up on some pedestal, always with that remove of the stage between us. But Hilary herself has a different idea of what a star should be up to in between wowing folks at those concerts. She happens to love to talk to people, especially other musicians, and is genuinely interested in what makes them tick. And she loves to share what she hears
Read moreContinuing a theme: earlier this week I mentioned a gig by composer Matt McBane’s “not-quite-neo-alt-rock-chamber-folk-etc” ensemble Build. The pattern continues this Sunday at The Stone in NYC (corner of 2nd street and Ave. C, $10), when two more “NQNARCFE” groups show us what they’ve got (is this the true wave of classical music’s future? — composers and performers each with their own group playing clubs? To try both sides of the pie, since our own side’s filling is getting decidedly skimpy?). At 10pm Victoire takes the stage: “Brooklyn-based band founded by composer Missy Mazzoli (keyboards and compositions, with Olivia De
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