Contemporary Classical

Contemporary Classical

Angels in Illinois

Big Up to our friend and S21 blogger Lawrence Dillon who is one of three winners of  the Ravinia Festival of Highland Park, Illinois’ first composer competition. The competition asked composers to submit works for piano trio and narration inspired by the words of Abraham Lincoln, in honor of Lincoln’s bicentennial in 2009. Lawrence’s composition, The Better Angels of Our Nature, uses excerpts from two letters and two speeches that focus on three key aspects of Lincoln’s character: his integrity, his sense of humor, and his poetic vision.  The first movement, Integrity, uses a  letter the future president wrote in

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Contemporary Classical

All I Hear is Radio Ga Ga

Some well-to-do friends of mine purchased at a charity auction recently a chance to play disk jockey for an hour on WBGO in Newark which is, I believe, the most listened to jazz radio station in the world.  Since they aren’t that much into jazz, they promptly passed the opportunity on to me as a kind of belated 65th birthday present.  I’ve been told to expect a call soon to discuss my “playlist” which can run no longer than 52 minutes.  My problem, of course, is how to distill more than 50 years worth of listening into such a short

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Contemporary Classical

Miller Time

Hey, the new Miller Theater schedule is out.  Some great-looking programs, including the New York premiere of Iannis Xenakis’s only opera, Oresteia.  Composer Portraits are:  Peter Lieberson, Oliver Messiaen (centennial celebration), Marc-Andre Dalbavie (world premiere of his cello concerto), Jefferson Friedman (world premieres for pianist Simone Dinnerstein and indie-rocker Craig Wedren), Milton Babbit (complete string quartets—first time in one evening), Georg Friedich Haas (U.S. premiere of In Vain, his intense 75-minute tour-de-force for 24 players), Arlene Sierra (says here that ICE performs a world premiere by this intriguing young American living in London), Leon Kirchner (90 birthday celebration) and Jason

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Contemporary Classical

Stravinsky Remixed

Our friends at the Metropolis Ensemble will perform a new take on Stravinsky‘s The Rite of Spring called The Rite: Remixed  tonight at Prospect Park in Brooklyn.  Composers Ryan Francis, Leo Leite, and Ricardo Romaneiro have reimagined the Rite of Spring as a piece for chamber orchestra and live electronics.   For those of you unfortunates who don’t live here in the Center of the Universe, you can hear the webcast live on NPR.org starting at 7:30 p.m. ET.   It’s part of the  Wordless Music Series, which you can find out more about in an hourlong pre-concert special beginning at 6:30. Founded in 2006 by conductor Andrew

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Contemporary Classical

What’s So Funny About Peace, Love and Understanding?

Got four and a half minutes for a meditation on life, religion, and nature? Our friends at Aguava New Music Studio have a new video by Susanne Schwibs, music by Cary Boyce, performed by Aguava New Music Studio and the IU Contemporary Vocal Ensemble directed by Carmen Helena Tellez. A DVD will be available very soon from www.aguava.com. The score is available from G. Schirmer’s Dale Warland Choral Series. [youtube]gNn6BsXl_Sw[/youtube]

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Contemporary Classical

Topsy, Part 2

There are a handful of words that send me reflexively scurrying for the off button:  “Mozart,” “President Bush said today,” “Sandy Duncan,” “drum solo. ”  I loved it when Buddy Rich told Johnny Carson once that he never practiced “because it hurts my ears.”   Which, of course, is why I have to mention that the first of four upcoming concerts organized by Jason Kao Hwang at the Living Theater with RUCMA (Rise Up Creative Music and Arts) is called Drum Solos! and features drummers Newman Taylor Baker, Andrew Drury and Tatsuya Nakatani.   Thursday, July 17, 10:30 PM Drum Solos ! Newman Taylor Baker Andrew Drury

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Chamber Music, Click Picks, Concerts, Contemporary Classical, San Francisco

What Will $5 Get You in San Francisco?

Sure, a short latte, or a couple humbows & a coke… Or, just about any couple weeks through this year, that or even less will get you into any of a slew of great concerts in the sfSound series. Beginning tomorrow (!), when you can hear Steve Reich’s Four Organs (1970), Giacinto Scelsi’s Kya (1959), Salvatore Sciarrino’s Muro d’orizzonte (1997), Tom Dambly performing Mauricio Kagel’s Atem (1970) for trumpet and tape, violist Alexa Beattie performing Alan Hilario’s kibô (1997), and a new collaboratively-created piece by sfSoundGroup, directed by Matt Ingalls. The sfSound Group consists of a central core (currently David Bithell

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Contemporary Classical

Why Not 12-Tone Opera?

Few operas I have seen have left as great an impact on me as Bernd Alois Zimmermann’s Die Soldaten which I originally saw at City Opera in the early ’90s and just saw again in its current run at the Park Avenue Armory as part of the 2008 Lincoln Center Festival. (There are only two performances left and I’ve heard that the run is practically sold out. When I was there on Wednesday night there was a posse of desperate folks hoping they could wrangle tickets, but if indeed no official tickets are left and you haven’t seen it, join

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Contemporary Classical, Critics

Let the Ennui and Angst Begin

Nothing for those slooow summer days like another round of “everything sucks/everything’s fine” wars… Courtesy of The Guardian, Joe Queenan kicks it off with an article on how he just can’t take any more, what we “high priests of music” have been pawning off as art these last couple-three generations or so… While Tom Service tells Joe he needs to unbunch his underwear a bit… Or is that Tom getting in a bunch over Joe’s blow-off?… Read both sides; and there’s plenty of room in the comments both here and there, to thoroughly reach no consensus or conclusion whatsoever. Ah Summertime,

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