Steve Reich turns 75 this coming October, and the celebrations have already begun. Later this month is a concert at Carnegie Hall on April 30th. It features the Kronos Quartet in a new piece commemorating a more sombre anniversary: WTC 9/11. In the lead up to the Carnegie concert, there will likely be countless interviews, features, etc.; but this YouTube video is a terrific five-minute distillation of Reich’s interests, influences, and musical style. I love the segue early on from bebop ii-V-I changes to Steve Reich’s pulsating ostinati. [youtube]http://www.youtube.com/watch?v=zO_WVD6Dt6E[/youtube]
Read moreThus far, 2011 seems to be the year of the festival. From Tune Up to Tully Scope and beyond, a wide variety of adventurous outings have been offered in New York. Starting tonight, Symphony Space joins in the fun with their Cutting Edge Concerts New Music Festival. If each festival has had its own identity – Tune Up reveling in the Park Avenue Armory’s generous space and acoustics, Tully Scope celebrating the diversity of its offerings and its newly remodeled digs – the emphasis of Cutting Edge seems, like so many events at Symphony Space, to be outreach and interaction. All
Read more(And Gods know sanctuary is something many of us might be searching for these days…) This Monday, 21 March, at 8pm in the Weill Recital Hall at Carnegie Hall (57th Street and Seventh Avenue, NYC), the ensemble Lunatics at Large begin a series of four concerts with five premieres, of works involving the collaboration of five composers and five poets. This little bit of numerology is titled “The Sanctuary Project“; Project Director Evi Jundt says: We picked artists whose work we believed would be evocative of the theme ‘Sanctuary.’ First, the poets presented one new poem and some older works to the composers.
Read moreExploring the Metropolis administers the Con Edison Composer Residency Program, a response to the challenges musicians face finding space to work in the ever more pricey environs of New York. The organization has just announced that it is expanding the program for its Spring 2011 residencies. They’ll be finding eight composers three month residencies at four different locations throughout the city (including the boroughs of Manhattan, Queens, and Brooklyn). This will allow them a space to work, an opportunity to present their music in a public program at the completion of their appointment, and a small stipend (This year it
Read moreIn the current economy—particularly in the recording industry—expediency can sometimes trump artistry. All too often, classical artists with a recent CD release can’t afford to worry too much about the curatorial vision of a concert series on which they appear: they’ve got to make their album’s program fit somehow in order to promote the product. During a recent consultation with a marketing professional, I learned that some venues have begun exploring partnerships with オンラインカジノ to secure additional sponsorship revenue, a strategy that has already sparked both interest and debate among artists. Happily, there are still times when an artist’s work
Read moreComposer Mario Davidovsky turns 77 today. The International Contemporary Ensemble and soprano Tony Arnold are celebrating his birthday with a Portrait Concert at Miller Theatre tonight at 8 PM (details here). They’ve also recorded a birthday greeting for the composer (video below), adding a bit of angularity and jocular dodecaphony to a more traditional number. Mario Davidovsky Birthday Toast from Miller Theatre on Vimeo.
Read moreWe’re saddened to learn of James Levine’s cancellation of the rest of his appearances this season at the Boston Symphony Orchestra and his resignation from the post of BSO Music Director. Levine has been in that position since 2004, but has had to cancel a number of appearances during his tenure due to a variety of health problems. In an interview published today in the New York Times, Levine indicated that he will retain his position as Music Director at the Metropolitan Opera. Apparently, conversations between Levine and the BSO about a possible future role with the orchestra are ongoing.
Read moreThis week I’m going to be covering the Tune-In Festival at the Park Avenue Armory for Musical America. Earlier this month, the Armory made the news for another high profile arts endeavor. It was announced as the site for the New York Philharmonic’s performance of Karlheinz Stockhausen’s Gruppen during the 2011-’12 season. Just as the venue’s large Drill Hall is ideal for a work such Gruppen – a spatial music extravaganza for three orchestras – it’s also ideal for a number of works on the Tune-In Festival that are conceived for unconventional venues. Tonight is the premiere of Arco, a
Read moreUnsuk Chin (b. 1961) is a decorated composer and an important figure on the international scene. But even though she’s won the prestigious Grawemeyer Prize, one could still argue that she isn’t programmed nearly enough as yet in the United States. I was very taken with the Ensemble Intercontemporain’s 2009 performance of Akrostichon-Wortspiel at Alice Tully Hall. It sent me in search of scores and recordings to study. Sadly, I haven’t since had the opportunity to hear more of her work live. But tomorrow, the Talea Ensemble and guest pianist Taka Kigawa will perform an Unsuk Chin Composer Portrait at New York’s Bohemian Hall on February
Read moreFollowing up on Alex Ross’ post about the New York Philharmonic’s 2011-’12 season, which mentioned the lack of representation of American composers on the Contact! series and women composers throughout the schedule, we asked Sequenza 21 readers to share their lists of American women composers that the Philharmonic should consider programming (more comments/lists welcome). Here’s my own take. I’ve compiled three chamber orchestra programs for the Contact! concerts and one for the regular subscription series: all consisting entirely of living women composers. One features American music and the other programs have a more diverse array of nationalities. I hasten to
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