Contemporary Classical

Dispatch from the Met: Doctor Atomic

Concerning the quality of John Adams’s Doctor Atomic, currently playing at the Metropolitan Opera through November 13, I am of many minds. This may be due in no small part to the opera being of many minds itself. Doctor Atomic is about as good as any opera could be given that its creators do not seem to have a cogent idea of what drama is. At first a documentary-style perspective on the events leading to the first atomic bomb test holds sway. In the first scene, the chorus and characters sing lines containing all the poetry of a Pentagon press

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Bang on a Can, Chamber Music, Composers, Downtown, Minimalism, Music Events, New York

Watch Out for David Lang

David Lang, who you will recall won this year’s Pulitzer with his piece The Little Match Girl Passion, will be submitting himself to the hard-hitting S21 interview next week.  I’ll be asking him what he plans to do about the financial meltdown, the war in Iraq, and whether he stands by his selection of Sarah Palin as his running mate.  Or something–I haven’t written the questions yet. In the meantime, those of you who live in New York may want to know that Wordless Music is presenting a concert of Lang’s music next Wednesday, November 5th, at Le Poisson Rouge

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Contemporary Classical

Ian Moss Lives! Kronos Plays Holmgreen

For those of you who, like me, have been wondering whatever happened to the once ubiquitous S21 familiar Ian Moss but have been too forgetful to ask around, we have news of two upcoming concerts and an explanation for his absence. The first concert is a surprise (well, I guess we gave it away) reunion show on Thursday night with Ian’s jazz/metal/awesomeness band, Capital M which will be playing a set of 100% improvised music at the old Knitting Factory Tap Bar, one of the legendary venues for experimental music in New York and, alas, another historic spot getting ready to flee

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Chamber Music, Composers, Concerts, Contemporary Classical, File Under?

Quartet for the End of Time at Merkin on Tuesday

Charles Neidich and friends are performing Messiaen’s Quartet for the End of Time and music by Israeli composers. The program is below, and you can check out the notes over at my blog. Moshe Zorman – Hora Arnaud Sussmann, Violin; Vincent Balse, Piano  Menachem Wiesenberg – Like Clay in the Potter’s Hand Gal Nyska, Cello; Vincent Balse, Piano  Paul Ben Haim – Pastorale Variee Op. 31b Moran Katz, Clarinet; Vincent Balse, Piano  Olivier Messiaen – Quartet for the End of Time  Charles Neidich, Clarinet; Arnaud Sussmann, Violin; Gal Nyska, Cello; Vincent Balse, Piano

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Contemporary Classical

For Your Dining and Dancing Pleasure

Corey Dargel sings “All Other Sounds (for Brian from Molly)” from his new album Other People’s Love Songs, which will be officially released on Wednesday.  Video directed by Oleg Dubson.  (Correction from Corey:  “The concert is tomorrow, but the album is released today (Tuesday) and is available from newamsterdamrecords.com as well as iTunes and eMusic, etc.  Yay!” [youtube]http://www.youtube.com/watch?v=F2CsQrg031s[/youtube]

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Contemporary Classical

No way!

Don’t tell me you’ve forgotten already! Also: S21 concert update:  The S21 concerts in December are the 1st at Waltz–that’s a changed date, yo–and the 5th at Good Shepherd Church (152 W 66th).  On the program: Samuel Andreyev, Rusty Banks, Galen Brown, Rodney Lister, Alex Kotch, Jeremy Podgursky, me, and Samuel Vriezen.  (Hope I didn’t leave anyone out.) Later, er, today I’m handing in the second draft of my dissertation.  It’s about Kurtag. 

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Contemporary Classical

Who Wants to Be a Can Banger?

Hi Jerry, We’re opening up a search for pianists for the Bang on a Can All Stars. Please see the ad below . We’d appreciate this if you can make a post about this on Sequenza21. Thanks! Annie   Bang on a Can All-Stars Seek Pianist “The Bang on a Can All-Stars present new music the way it should be presented — with passion, precision, dynamism, stylistic authority and a welcoming informality.” – NEWSDAY “A fiercely aggressive group, combining the power and punch of a rock band with the precision and clarity of a chamber ensemble.”/- NEW YORK TIMES The

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Chamber Music, Just Intonation, Los Angeles, Microtonalism

The Seventeen Lyrics of Li Po of Harry Partch

  So with all pleasures of life. All things pass with the east-flowing water. I leave you and go—when shall I return? Let the white roe feed at will among the green crags, Let me ride and visit the lovely mountains! How can I stoop obsequiously and serve the mighty ones! It stifles my soul. His Dream of the Skyland – A Farewell Poem.   Li Po (Li Bai) (~701-763 CE) is universally recognized as one of the greatest Chinese poets of the Tang period, or for that matter, of the entire Chinese literary tradition. His poetry shows the influences

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