Tag: @cbcarey

CD Review, File Under?, Improv, jazz

Miles Okazaki – Miniature America

Miles Okazaki – Miniature America (Cygnus Records) Miles Okazaki – guitar Jon Ibragon, sopranino saxophone, slide saxophone, voice Caroline Davis, alto saxophone; Anna Weber, flute, tenor saxophone Jacob Garchik, trombone, bass trombone Matt Mitchell, piano; Patricia Brennan, vibraphone Ganavya, Jen Shyu, Fay Victor, voices David Breskin, producer   Miles Okazaki’s latest recording, Miniature America, is one in which his compositional process has changed. He spent time sketching elements of sculpturist Ken Price’s work and was also inspired by the intricate line drawings of Sol Lewitt. The pieces created as a result of this research were coined “Slabs” by Okazaki, process

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Concert review, Concerts, Contemporary Classical, File Under?

Louis Karchin A Retrospective at Merkin Hall (concert review)

Louis Karchin: A Retrospective Merkin Concert Hall September 22, 2024 NEW YORK – Composer Louis Karchin has been prolific, even during the pandemic years. In a program at Merkin Concert Hall of chamber works and songs composed between 2018 and 2024, he was abetted by some of New York’s go-to new music performers, who acquitted themselves admirably throughout.  Stephen Drury is an abundantly talented pianist. But even with a repertoire list as lengthy and challenging as Drury’s, Sonata-Fantasia (2020, New York Premiere) is an imposing addition. The piece is in four large sections combined into a single movement, with elements

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Brooklyn, CD Review, File Under?, Improv, jazz, Piano

Marta Sanchez – Perpetual Void (CD Review)

Marta Sanchez Perpetual Void Intakt CD 421 Jazz pianist and composer Marta Sanchez was born in Madrid and now resides in Brooklyn. She presents eleven originals on her fifth recording, Perpetual Void (Intakt, 2024).  Usually Sanchez performs and records with a quintet featuring two saxophonists. Here, in her first trio outing, she is joined by bassist Chris Tordini and drummer Savannah Harris. The leaner lineup works well, as it allows Sanchez abundant room to solo and, moreover, to express elements of the emotional journey that transpired during the time she composed the works on Perpetual Void. She had lost her

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CD Review, Chamber Music, Classical Music, File Under?, Twentieth Century Composer

Neave Trio – Rooted (CD Review)

Neave Trio Rooted Chandos Records (2024)   Neave Trio – violinist Anna Williams, cellist Mikhail Veselov, and pianist Eri Nakamura – has recently made several imaginative recordings for Chandos. Rooted is influenced by traditional music and by Antonín Dvořák, who brought the concept of using your country of origin’s folk music in concert works to the United States and, in the case of one of the programmed composers, influenced those in the UK as well.   Bedrich Smetana (1824-1884) was thought of as the premiere Czech composer of his day. Piano Trio, Op. 15 (1857), was written in the midst

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Boston, CD Review, Contemporary Classical, File Under?, Orchestral

Zwilich Recorded by BMOP (CD Review)

Ellen Taaffe Zwilich: Symphony No. 5 Sarah Brady, flute; Gabriela Diaz, violin Boston Modern Orchestra Project, Gil Rose, Music Director BMOP/Sound 1098   Composer Ellen Taaffe Zwilich turned eighty-five in April, and one of the many celebrations of her life and work is a recording by Boston Modern Orchestra Project. Directed by Gil Rose and featuring flutist Sarah Brady and violinist Gabriela Diaz as concerto soloists, it is a generous program of her music. The centerpiece is Zwilich’s Symphony No. 5 (2008), a powerful four-movement work that combines traditional formal structure with a musical language of a more recent vintage. 

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CD Review, File Under?, Rock

Guided by Voices – “I Am A Scientist” (30th Anniversary Version)

Video: Guided by Voices: “I Am A Scientist,” 30th Anniversary Version   Guided by Voices celebrates the thirtieth anniversary of their album Bee Thousand with a remake of one of their early, most-beloved songs, “I Am A Scientist,” via Rolling Stone. In an interview with RS, frontman and principal songwriter Robert Pollard describes “I Am A Scientist” and Bee Thousand as follows:“The song and the album opened the door for me and allowed me to play rock music for a living.” Prior to that, he was a science teacher. Guided by Voices Strut of Kings GBV Inc. (2024) The ever-prolific

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CD Review, File Under?, Piano, Twentieth Century Composer

Donald Berman plays Ives (CD Review)

Donald Berman Ives Avie, 2024   Pianist and scholar Donald Berman has made a special inquiry into the music of American hyper-modernist composers, Charles Ives chief among them. This year marks the sesquicentenary of Ives’s birth, and Berman celebrates the occasion with an Avie CD of the original piano version of St. Guadens (“The Black March”), best known as one of the movements of the orchestra piece Three Places in New England, and his own scholarly edition of the totemic Piano Sonata No. 2, Concord Mass., 1840-1860, usually known by its nickname, the “Concord Sonata.”   One of the challenges

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CD Review, File Under?, Orchestras, Twentieth Century Composer

Falletta Conducts Foss on Naxos (CD review)

Lukas Foss – Symphony 1 Amy Porter, Flute; Nikki Chooi, Violin Buffalo Philharmonic Orchestra, JoAnn Falletta, conductor Naxos American Classics   Lukas Foss (1922-2009) was an omnivorous composer who, over the course of his career,  went through multiple style periods. When he was a teenager, he studied with Hindemith at Yale and then made close contacts at the Berkshire Music Center (now Tanglewood) with Serge Koussivitzky, Aaron Copland, and Leonard Bernstein (a lifelong friend and supporter). In the 1940s, his music resembled the Americana and neoclassical styles being pursued by a plethora of American composers. In Ode (1944, revised 1958)

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Concert review, File Under?, Opera, Orchestras, Twentieth Century Composer

The Met Opera Orchestra at Carnegie Hall (Concert Review)

The Metropolitan Opera Orchestra, Yannick Nézet-Séguin, Music Director Carnegie Hall June 14, 2024 By Christian Carey for Sequenza 21   NEW YORK – In their last concert appearance this season at Carnegie Hall, the Metropolitan Opera Orchestra, conducted by their Music Director, Yannick Nézet-Séguin, presented a program of music from two early twentieth century operas that both explore French folktales alongside one of the most famous nineteenth century opera overtures, based on a legend first promulgated by mariners in the eighteenth century.    The latter, Richard Wagner’s Overture to the Flying Dutchman (1843), opened the concert. It has a memorable

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Brooklyn, Concerts, Events, Experimental Music, Festivals, File Under?, jazz

William Parker Celebrated at Vision Fest

Vision Fest 2024 – William Parker Receives a Lifetime of Achievement Award On June 18th, luminary bassist, bandleader, poet, and composer William Parker will receive a Lifetime of Achievement Award at Vision Fest 2024. The Brooklyn series for ecstatic jazz and improvised music has often featured Parker in a variety of ensemble configurations and in memorable solo performances.  He will be celebrated on Tuesday, June 18th, with a plethora of events (below)  and performances that will also be livestreamed (tickets). There is more to celebrate. On Friday, June 21st, AUM Fidelity is releasing two recordings featuring Parker.  William Parker and

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