Thursday, January 27, 2005
It can't happen here
There was bad news for Eric Owen Moss on Wednesday. The Los Angeles architect, who in 2001 won a competition to redesign the Queens Museum of Art, found out that he was out of a job. While we may never know exactly why the museum chose to cancel Mr. Moss' project--already three years in the works--it probably had something to do with the change in the museum's administration. The new suits came in with a different set of priorities than their predescesors, didn't see eye to eye Mr. Moss' original plan, and instead of attempting to rectify the situation with the architect--who was more than willing to compromise on the aspects of design in question--decided to seek a new architectural direction from a preapproved list of eight firms.
It's too bad that the Queens Museum of Art won't be able to boast the work of a true architectural visionary, a man whose importance is often discussed in the company of names like Le Corbusier, Mies van der Rohe, Richard Meier, and Frank Gehry. Instead, just like Daniel Libeskind and the World Trade Center site, artistic vision is supplanted by a political agenda. At least that never happens in music.
Praised by The New York Times as "an inventive musician . . . fresh and surprising," saxophonist Brian Sacawa has firmly established himself as an important contemporary voice for his instrument. He is active as a soloist, recitalist, and chamber musician throughout the United States and is the co-founder of the new music duo Non-Zero with percussionist Timothy Feeney.
He has given premieres of over thirty works by both established and emerging composers, including Michael Gordon, Bright Sheng, Andrew Mead, Oliver Schneller, Ken Ueno, Beata Moon, Hillary Zipper, and Scott McAllister, among many others. Named the Baltimore CITYPAPER’s Critic’s Choice for Classical Music in 2002, he is the recipient of awards for solo performance from both national and international competitions.
Sacawa's versatile career has led to appearances with the St. Petersburg Philharmonic, the Detroit Symphony Orchestra, the New World Symphony, Harvard Group for New Music, New Music Brandeis, Bargemusic, and at meetings of the ISU Contemporary Music Festival, World Saxophone Congress, North American Saxophone Alliance, and New England Saxophone Symposium.
Brian holds degrees from the University of Michigan, the Peabody Conservatory, and the University of Massachusetts Amherst, where he studied with Donald Sinta, Gary Louie, and Lynn Klock. He has recorded for the Equililbrium, Naxos, and BiBimBop recording labels.See Brian's other blog
Sounds Like Now