Composer Blogs@Sequenza21.com

Rusty Banks is a composer/guitarist/teacher originally from Jasper, AL, now living in Pennsylvania.

His compositions benefit from themes relating to regions or environments. For example, his composition commissioned by the Alabama Music Teacher Association's 2004 convention featured audio samples from the Cahaba River, Alabama's last free-flowing river. Another work, "Long Pine Creek: New Year's Day," uses sounds from Long Pine Creek in Nebraska. His compositions range from traditional concert music to sonic installations where boom boxes are scattered throughout a room. His music is described as thoroughly modern, yet accessible, a description he shudders at, but reluctantly accepts. His compositions may be heard on Living Artist Recordings, as well as his web site, rustybanks.org.

Friday, April 07, 2006
Castles Made of Sand...

Recently, I attended a church service where the speaker offered this as a qualification for art: it has to stand the test of time. Indeed, this is fairly conventional wisdom, but I propose that it is time to challenge that wisdom.

We still have “Flight of the Bumblebee.” We still have that painting of Dogs Playing Poker. Years from now will we be able to find the Greatest Hits of country super-group Alabama? Probably. Art? Not to my mind, but it depends on whom you ask.

What about works written for the now? It seems reasonable to me that a work reflecting a current situation could have powerful meaning in a specific moment, for a specific crowd, in a specific place. Then the same work could be meaningless in a different context. To say a work must “stand the test of time” is really to say it must have mass appeal to be art.

Since when has art had that?