Anybody up for seeing, and reviewing the New York debut of the Boston Modern Orchestra Project on April 1st at the 10th Annual MATA Festival? They’re doing Lisa Bielawa’s Double Violin Concerto, On a Sufficient Condition for the Existence of Most Specific Hypothesis by Ken Ueno (throat singer), The Conscious Sleepwalker Loops by Alejandro Rutty, MATA’s first orchestral commission, and Clades by Derek Hurst
I can get you a pair.
John Clare has volunteered so Rodney, you’re off the hook, although we’d love to hear more from you.
Why not ask Rodney to review the same concert when it happens in Boston March 29?