Many of us love to see musical works created to accompany choreography performed with dancers involved. But this weekend finds musicians approaching these pieces from another vantage point. Ne(x)tworks, Greenwich Music House’s ensemble-in-residence, presents “Music Without Dance,”  a festival of works originally written for dance that are abstracted from movement and performed as absolute music.

What’s revealed about these pieces by listening to them while imagining (or even avoiding thinking about) the dances to which they were originally attached? Curation by subtraction: I like it!

Ne(x)tworks Presents the “Music Without Dance” Festival

Saturday, February 25th: 7:30PM concert

Sunday, February 26th: 6:00PM free panel discussion, 7:30PM concert

at Greenwich House Music School

(46 Barrow Street at Bedford, 212-242-4770)

Concert tickets: $15 at door, Students/Seniors $10 (no advance sales)

Event Link

“Music Without Dance” Program:

Saturday, Feb. 25, 7:30PM

Concert program:

Moving Spaces (2002)  by Christian Wolff

Migrations (2008) by Miguel Frasconi

Future Sight (2010) by Shelley Burgon

Relative Calm (1981) by Jon Gibson

Sunday, Feb. 26, 6:00PM

FREE panel discussion on the relationship between music and dance.

With choreographers Yoshiko Chuma, Katherine Beyar, Nai-Ni Chen, Erica Essner,

and composers Joan La Barbara, Miguel Frasconi, John King, Annea Lockwood.

Sunday, Feb. 26, 7:30PM

Concert program:

Stuplimity No. 3 (2007) by Christopher McIntyre

Desert Myths (2006) by Joan La Barbara

Jitterbug (2007) by Annea Lockwood

DELTA (dreamdeepdown) (2002) by John King

Ne(x)tworks is: Joan La Barbara (voice), Shelley Burgon (harp & electronics), Yves Dharamraj (cello), Miguel Frasconi (glass instruments & electronics, Director), Ariana Kim (violin), Christopher McIntyre (trombone), and special guest Jenny Lin (piano). Learn more on the Ne(x)tworks website  www.nextworksmusic.net.

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