The MATA Festival’s final performance is 7:30 PM tonight (5/12) at Le Poisson Rouge. It features the Metropolis Ensemble, premiering several new works commissioned by MATA, including Ryan Carter’s Skeumorphic Tendencies and The Rake, a hip-hoperatic retelling of Stravinky’s Rake’s Progress by Brad Balliett and Sequenza 21’s own Elliot Cole. Ticket information can be found on LPR’s site or via Metropolis here. A Burst of Blinding Clarity from Metropolis Ensemble on Vimeo.
Read moreSequenza 21 readers will doubtless already know that the Albany Symphony is, in orchestral terms, the “mouse that roared.” They’ve long had an extraordinary commitment to contemporary music and their standard of playing is the envy of many regional orchestras. And on the right night and with the right repertoire, they’re in the same “weight class” as some of the top big-budget orchestras. Tonight, Albany SO gets a chance to show their mettle on one of the most prestigious stages on earth. They make their Carnegie Hall debut as part of the Spring for Music festival. The first half of
Read moreThe 2011 incarnation of the MATA Festival starts tonight with a salon at Tyler Rollins Fine Art in Chelsea (details here). Free to festival pass holders – and $50 for single tickets (aren’t you glad you signed up for the festival pass?) – the evening will include discussions with composer Aaron Jay Kernis, Brooklyn Philharmonic director Alan Pierson and three of the festival’s commissioned composers. Metropolis Ensemble will be on hand to provide musical excerpts and there’s a wine and cheese reception. Salons are fun and all, but the meat and potatoes music-making of MATA begins in earnest tomorrow night
Read moreWe like to think that concert music is something other than sound we hear with others in a room. Of course it is, but music is a physical fact we encounter first hand and try to wrap our minds around later. The large and attentive audience at Philip Glass’ San Francisco Performance’s program of his solo piano works seemed to know the difference when they gave him a warm welcome even before he’d played a note at his from-memory 8o-minute intermission-less recital at YBCA’s Novellus Theater. Real affection like that for a composer, especially a controversial and popular one like
Read moreThere’s going to be an album release party tonight at Le Poisson Rouge. Two groups on the New Amsterdam Records roster, NOW Ensemble and the Chiara String Quartet, are celebrating their respective releases. —– Chiara are presenting string quartets by Jefferson Friedman, along with remixes thereof by special guest electronica artists Matmos. Meanwhile, NOW Ensemble presents a mixed program of new synthetists pieces by the likes of Judd Greenstein, Sean Friar, and Missy Mazzoli. Check out Joshua Frankel’s new video Plan of the City below; it will accompany the performance of Greenstein’s Change at the gig. PLAN OF THE
Read moreNo doubt if you have participated or read any of the chats below for Spring For Music concerts, you are pretty excited. If you haven’t heard about Spring for Music, it starts tomorrow night with the Orpheus Chamber Orchestra at Carnegie Hall! Orpheus has a wonderful resource about their New Brandenburgs project, but I was curious to talk with Paul Moravec about the idea of hearing his Brandenburg Gate with the other commissions. Here is our chat from Sunday night at his apartment: mp3 file Concerts continue through May 14th at Carnegie including the Dallas Symphony in Steven Stucky’s August
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Once upon a time in 2000, there was a brand-new underground music collective in the San Francisco Bay Area, presenting a monthly concert series named “Static Illusion/Methodical Madness”. The SIMM series is still going strong today, and its parent organization, Outsound Presents, now additionally puts on the weekly Luggage Store Gallery concert series and the Outsound New Music Summit. Outsound acquired a Board of Directors and incorporated its bad self in 2009. Now with a 501(c)(3) IRS determination in hand, it’s a stalwart provider of experimental music, sound art, found sounds, improvisation, noise, musique concrete, minimalism, and any other kind of
Read moreBook Review Listen to This By Alex Ross New York: Farrar, Straus, and Giroux, 384 pp. Published in 2007, The Rest is Noise, Alex Ross’ first book, was an engrossing and thoughtful survey of Twentieth Century music, equally useful as an introduction to neophytes and a refresher to specialists (he’s since tweaked the paperback edition to be even more comprehensive, including updated info and a “go-to” listening list). By “classical music” standards, the book was wildly successful, and Ross subsequently garnered a number of honors, including a 2007 National Book Critics Circle Award and a 2008 MacArthur Fellowship. Its follow-up,
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