Orchestra of St. Luke’s Robert DeGaetano Composition Institute
In these days of swiping right and hooking up, having a long-term commitment is something special. So when the Orchestra…
Caroline Shaw – Orange (CD Review)
Caroline Shaw – Orange Attaca Quartet Nonesuch/New Amsterdam CD Winner of the Pulitzer prize in 2013, Caroline Shaw has been…
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Boulez and Berio highlight Morlot’s farewell [untitled] concert at Seattle Symphony
Seattle Symphony’s [untitled] series was inaugurated in 2012 by its newly arrived Music Director, Ludovic Morlot. Three Fridays a year,…
Beth Gibbons Astonishes in a New Górecki’s Third
After a decade-long studio hiatus, Beth Gibbons steps from behind the curtains with a project that feels as organic as…
Abrahamsen’s Schnee at Seattle Symphony’s [untitled]
[untitled] is the moniker given by Seattle Symphony to its thrice-annual Friday night new music events. Staged in the lobby…
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Interview: Julia Adolphe
This week, The New York Philharmonic premieres their second commission by composer Julia Adolphe. The first, 2016’s Unearth, Release, was a warmly received viola…
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Couturier and Lechner at Greenwich Music House (Concert Review)
Francois Couturier and Anja Lechner Greenwich Music House New York February 18, 2017 By Christian Carey Five Things to Like…
Juilliard SQ Premieres Davidovsky’s 6th SQ
Last night I heard the latest incarnation of the Juilliard String Quartet in recital at Alice Tully Hall. The program included performances…
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“Milton Babbitt at 100” Collide-O-Scope Music performs Babbitt’s Arie da Capo, Wuorinen, Bunk, and Bailey this Friday
The centenary of the legendary composer Milton Babbitt (1916-2011) is ocassion to celebrate. After Augustus Arnone’s three recitals earlier this season…
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The New York City Electroacoustic Music Festival (NYCEMF) takes Manhattan
Most New Yorkers are walking about, minding their own business, completely oblivious to the international sonic earthquake vibrating through their…