[youtube]http://www.youtube.com/watch?v=kUO0_8D1yg0[/youtube] San Francisco Community Music Center, July 20 – 23, 2011 The first sound of the festival’s Wednesday night show was, perhaps appropriately, nothing. Theresa Wong started offstage, down front, with just a microphone. She circled it in front of her face, no sound coming out of her pursed lips. Fluid looping gestures, but no vocal to be heard for perhaps two minutes. Then, a “Woo.” Silence, the mic passing back and forth. “Hoo,” silence, then another and another. Hoots and cuckoos, then a low-flutter “Wo – wo – wo – wo” for thirty seconds, then putting the mic to
Read moreBook of Ice by Paul D. Miller with an introduction by Brian Greene Mark Batty; 128 pages ISBN: 978-1935613145 Paul D. Miller is probably best known as DJ Spooky, out electronica artist. But he’s also an eloquent author about DJing and musical aesthetics in books such as Rhythm Science and Sound Unbound. Well versed in contemporary classical music, Miller has collaborated with and remixed music by Steve Reich, Iannis Xenakis, and Terry Riley. His latest project is perhaps his most ambitious and it involves one of the longest field trips and most far flung residencies an artist can make: a trip to Antartica. In order
Read moreEveryone’s favorite online contemporary classical station, Q2 (part of the WNYC family), needs your help. They would like for Q2 listeners to take a survey to help them gather information that will shape the station’s future programming. Want more vocal music? Less crossover? Or more programs featuring Olivia Giovetti? Q2 wants to hear all about it!
Read more1. Dump raw sewage into the Hudson 2. Let currents take it round Manhattan 3. Inhale.
Read moreI heard Kronos Quartet perform Steve Reich’s WTC 9/11 (2010) earlier this year at Carnegie Hall. For three string quartets (two were overdubbed in this live performance) and recorded voices taken from phone calls by first responders on September 11, 2001, as well as interviews with New Yorkers some years later, it doesn’t serve as a nostalgic remembrance. Rather, it’s a dramatic whirlwind of a piece, at times bracing and overwhelming. For those who’ve tired of the languid sentimentality and unfortunate jingoism that has too often been attached to 9/11 by those who’ve been witnesses from a distance, Reich’s response
Read moreMaura Lafferty is one of the most astute and social media savvy publicists of classical music around. Since several of her clients have used Kickstarter as part of fundraising campaigns, we asked her to write a guest blog about the platform. Maura’s been kind enough to share some tips for our readers about how to best employ Kickstarter to fund their next project. I get a lot of questions about Kickstarter and funding commissions through this tool, and have chimed in on a number of Twitter conversations about its effectiveness. Kickstarter is a threshold giving system: for those unfamiliar with
Read moreWe’re pleased to announce details for the 2011 Sequenza 21/MNMP Concert featuring the American Contemporary Music Ensemble (ACME). The following entries from the call for scores have been selected for inclusion in the program: James Stephenson (UK) – Oracle Night Robert Thomas (NJ) — Sixteen Lines Jay Batzner (MI) – Slumber Music Rob Deemer (NY) – Grand Dragon Sam Nichols (CA) – Refuge David Smooke (MD) – Requests Dale Trumbore (CA) –How it Will Go Laurie San Martin (CA) – Linea Negra James Holt (NY) – Nostos Algea The concert will be on October 25 at Joe’s Pub at 7 PM. It will
Read moreAndrew Ford’s “Illegal Harmonies” “I’ve never had a grand plan. Never even had an ambition – I still don’t, beyond wanting to write better music,” says Ford. “So I’ve done things as they’ve come along. Of course I also say no to things. I got into writing music journalism because, in 1983 when I came to Australia, I wasn’t, over all, very impressed with the music journalism I read. My radio work really came out of being an academic and gradually replaced it totally.” Although born in England, Andrew Ford has become associated with his adopted homeland, Australia. He’s one
Read moreSan Francisco Bay Area composer/performer Kanoko Nishi wraps up our series of interviews with composers who are premiering new works at the 10th Annual Outsound New Music Summit in San Francisco on Friday, July 22nd. The Friday night concert, entitled The Art of Composition, starts at 8 pm at the Community Music Center, 544 Capp Street, San Francisco. Tickets are available online from Brown Paper Tickets, and you can also buy them at the door. Listeners who don’t want to wait that long can get up close and personal with the composers, and learn about their creative process, at a free Monday night panel discussion at 7 pm on July 18th. Kanoko
Read moreKrys Bobrowski is up next in our series of interviews with composers who are premiering new works at the 10th Annual Outsound New Music Summit in San Francisco on Friday, July 22nd. The Friday night concert, entitled The Art of Composition, starts at 8 pm at the Community Music Center, 544 Capp Street, San Francisco. Tickets are available online from Brown Paper Tickets, and you can also buy them at the door. Listeners who don’t want to wait that long can get up close and personal with the composers, and learn about their creative process, at a free Monday night panel discussion at 7 pm on
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