Year: 2013

CDs, Contemporary Classical, File Under?

31 Memorable Recordings from 2013

File Under ?’s Best Recordings of 2013 (in no particular order) Yvar Mikhashoff, Panorama of American Piano Music (Mode) Robert Levin and Ursula Oppens, Piano Music 1960-2010 – Bernard Rands (Bridge) New York Polyphony, Time Go By Turns (BIS) Julia Holter, Loud City Song (Domino) Jennifer Koh and Shai Wosner, Signs, Games, and Messages (Cedille) Christopher O’Riley, O’Riley’s Liszt (Oxingale) Boards of Canada, Tomorrow’s Harvest (Warp) Oneohtrix Point Never, R Plus Seven (Warp) Lewis Spratlan, The Architect (Navona) Julianna Barwick, Nepenthe (Dead Oceans) Stile Antico, The Phoenix Rising (Harmonia Mundi) Gloria Cheng, Calder Quartet, The Edge of Light – Messiaen/Saariaho

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Contemporary Classical

R.I.P. János Négyesy

[youtube]http://www.youtube.com/watch?v=kRmeEzvIyBY[/youtube] Above: From the first European recording of the complete Ives Violin Sonatas, by János Négyesy and Cornelius Cardew  Those of us who knew him will miss his personal warmth and humor, and the joy he took in making music. This was originally posted by Rand Steiger on Facebook, and it’s so good I’m sharing here: It is with deep sadness that I write to inform you that the great violinist János Négyesy passed away today due to complications that arose during cardiac surgery. Professor Négyesy was 75 and had been a member of the UCSD faculty since 1979. He

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Concerts, Contemporary Classical, Experimental Music, Improv, Los Angeles

Experimental Improvisation at the Wulf in Los Angeles

Ted Byrnes, Nicholas Deyoe and John Wiese joined forces on Tuesday, December 17, 2013 for an evening of improvisational music featuring percussion with guitar and electronics in a concert titled 2 Duos of Varying Volumes But Similar Intensities. About 25 people, a near-capacity crowd for the renovated loft space that is the Wulf, heard three different offerings in two duo configurations that included a wide variety of extended techniques. Ted Byrnes is a drummer/percussionist living in Los Angeles via the Berklee College of Music in Boston and who is working now primarily in free improvisation, electro-acoustic music and noise. Nicholas

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Contemporary Classical

Symphony Space Celebrates Lutoslawski

Photo: Ryuhei Shindo A bit of cheering for the “home team,” as ACME played on our last Sequenza 21 concert. Last Friday, December 13, Symphony Space’s In the Salon Series celebrated Lutoslawski’s centenary with American Contemporary Music Ensemble (ACME) – for this concert comprised of Caleb Burhans and Caroline Shaw, violins, violist Nadia Sirota, and cellist Clarice Jensen – and Lutoslawski scholar and composer Steven Stucky. Symphony Space’s Artistic Director Laura Kaminsky was on hand for an onstage conversation about Lutoslawski with Stucky. As I mentioned in my Musical America review of In the Salon’s previous installment, a concert featuring

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Composers, Concert review, Contemporary Classical, Events, Experimental Music, Just Intonation, Los Angeles

Four New Angeleno Composers – Performed at Disney Hall

On Tuesday December 3, 2013 the Los Angeles Philharmonic New Music Group presented LA Now: Four New Angeleno Composers, the latest in the Green Umbrella series of new music concerts. Curated by no less an eminence than John Adams, works by Sean Friar, Julia Holter, Andrew McIntosh and Andrew Norman were performed for a mostly young and enthusiastic audience that filled three quarters of the Walt Disney Concert Hall. In the pre-concert panel discussion we learned that over 100 compositions were considered during the selection process and that Mr. Adams sought music that “speaks of Los Angeles” and displayed a

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Concerts, Electro-Acoustic, Festivals, Guitar, New York, Premieres

Timbre Tantrum (Composers Concordance Festival)

Next week is the third annual Composers Concordance Festival in New York City. They’ve called it ‘Timbre Tantrum,’ organizing the concerts by instrumental family: PERCUSSION Dec. 1 – 3pm ArtBeat with Glen Velez, Lukas Ligeti, Peter Jarvis. Dimenna Center (W. 37th St. NYC) 3pm Dec. 2 – 7pm ArtBeat (repeat of program) William Patterson University KEYS Dec. 4 – 7pm Three’s Keys with Taka Kigawa, Inna Faliks and Carlton Holmes music by Dan Cooper, Milica Paranosic, Gene Pritsker, Sean Hickey, Debra Kaye, Carlton Holmes, Daniel Palkowski and guests Klavierhaus (211 W. 58th St. NYC) ELECTRONIC MUSIC Dec. 6 – 8pm

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Concert review, Contemporary Classical

Lost In The Dark

Before JACK Quartet played Georg Friedrich Haas’ “In iij. Noct,” String Quartet No. 3 Tuesday night at the Lincoln Center White Light Festival, the stage crew turned the lights off in the Clark Studio Theater for a test run, so that everyone in the audience could gauge whether they could withstand the extended period of essentially total darknes. The lights were down for one minute, and once the last light went out I counted to myself, “one-one-thousand, two-one-thousand.” By the time I hit twenty, the lights were on their way back up. That is the profound power that darkness has,

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Contemporary Classical

Opportunity Knocks at the ACO

Hey Jerry. We would love your help getting the word out on the balance of our reading opportunities this year. What’s new is that we are now accepting them by email and also offering the ability to apply for both the Underwood New Music Readings and the New York Philharmonic EarShot Readings that will result in three of the six chosen having their works performed June 5-7 by the Phil either under Alan Gilbert or Matthias Pintscher. I’ll go ahead and say that I think this is pretty cool. Also, if you can post this opportunity on your site somewhere in addition

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Composers, Contemporary Classical, Events, Radio

Call for New Music Recordings — Spread Your Sound Around!

“…Crazy is good, folks! So come on down to Crazy Marvin’s Modern Music Warehouse! We’re wheeling!! We’re dealing!! We’ll play play PLAY all day day DAY!!!…” OK, OK, maybe not quite that crazy… But once a year our good friend Marvin Rosen goes crazy in the best way over at Princeton’s radio station WPRB, (103.3 FM, or online at: www.wprb.com). For the last six years Marvin has offered up a one-man, 24-hour radio marathon of contemporary music. And by contemporary, I mean things from just the last year or two, and often recordings culled directly from the composers themselves. This year

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Composers, Concert review, Contemporary Classical, Los Angeles, Microtonalism, Music Events

A Night of Microtonal Music at Betalevel in Los Angeles

On Thursday November 7, Betalevel, that famously obscure underground venue in Chinatown, hosted a concert of microtonal music entitled The Things That Overpower Us. The program featured the music of Kraig Grady, in Los Angeles for the week and who brought his personal greetings from the metaphorical Island of Anaphoria. A standing-room only crowd of about 50 jammed into the small space to hear performances by Tangerine Music Lab and a string quartet consisting of Melinda Rice, Mona Tian, Andrew McIntosh and Ashley Walters. The concert began with an extended improvisation by Tangerine Music Labs that was loosely based on

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