Month: August 2018

Contemporary Classical

The Proms–Lili Boulanger et al

Lili Boulanger is a composer who is at the intersection of two of the focuses of this year’s Proms programs: women composers and the centennial of the end of the First World War, which coincided with the year of her death at age of 24. Boulanger was clearly one of the great talents in music history, the equal of, for instance, the famously precocious Mendelssohn and Shostakovitch, both of whom lived long enough to fully realize their astonishingly early promise. Works of hers are included in four concerts of this season of the Proms. Pour les funérailles d’un soldat, a

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Contemporary Classical

The Proms–Venables: Venables Plays Bartok

Rudolph Botta, as Philip Venables wrote in his program note for his concerto Venables Plays Bartok, had a remarkable life. Born in 1918, Botta pursued, as a teenager, two passions: playing the violin and fencing. He served in the Hungarian army during the Second World War, then was a member of the anti-Soviet resistance. He was sent by the Soviets to a labor camp in 1952, and during the time that he was there, was deliberately tortured and maimed so that he could no longer play the violin. After his release from the camp (as part of an amnesty following

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Contemporary Classical

The Proms–Musgrave, Copland, Barber, Britten–and Arcola Opera Turnage

This year’s Proms as well as commemorating the centennial of the end of the First World War is also marking the centennial of The Representation of the People Act, which gave voting rights to some women in the United Kingdom for the first time. The means of commemorating that law is the commissioning of eight female composers whose music has not been performed in the Proms before, and a pledge that half the BBC Commissions for the Proms will be, by 2020, from women composers. Coincidentally with that celebration is the celebration of the 90th birthday of Thea Musgrave, whose

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CD Review, Chamber Music, Contemporary Classical, File Under?

Christopher Fox: Headlong (CD Review)

  Christopher Fox Headlong Heather Roche, clarinets Métier CD MSV28573   Composer Christopher Fox has crafted an imaginative output, employing diverse approaches and many different technical resources. His latest Métier CD, Headlong, is devoted to clarinet music, for instruments of varying sizes. Heather Roche is the stalwart interpreter of these pieces. Her own versatility and facility with myriad extended techniques make Roche an ideal performer of Fox’s music. Indeed, the clarinetist’s website serves as a compendious catalog of techniques used to play contemporary works. This recording serves as an ideal accompaniment to her web-based pedagogical forays.   Several of the

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Composers, Concert review, Contemporary Classical, Electro-Acoustic, Experimental Music, Seattle

A year without Matt Shoemaker (1974–2017)

One year ago the Pacific Northwest’s new music community was stunned by the suicide of Matt Shoemaker: painter and musician, enthusiastic traveler, frequent performer with Gamelan Pacifica, and accomplished creator in the genre of dark ambient. Shoemaker’s “electroacoustic soundscapes” have been released in a variety of formats by Elevator Bath, Helen Scarsdale Agency and other labels, and I offer an overview of this work in the Second Inversion article Mutable Depths: Remembering Matt Shoemaker. Shoemaker was a veteran of Seattle’s formidable electronic music scene, and he often performed his music at the Chapel Performance Space, the workhorse venue for experimental music

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CD Review, Contemporary Classical, File Under?, Piano

James Romig – Still (CD Review)

James Romig Still Ashlee Mack, piano New World Records 80802 Composer James Romig has spent the past twenty years cultivating a body of work that embodies both rigorous structuring and a wide-ranging gestural palette. As is explained in Bruce Quaglia’s excellent liner notes for Romig’s first New World CD, Still, there is good reason for these two aspects to be so important to Romig. His training as a composer was with American modernists Charles Wuorinen and Milton Babbitt, while his background as a performer – a percussionist – included a number of works by minimalists such as Steve Reich. Extra-musical

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