Month: January 2020

Contemporary Classical

Dan Lippel: Guitarist, champion of new music, co-founder and director of New Focus Recordings and solo artist on a brand-new double album

Dan Lippel – like so many in the creative world – wears many hats. Lippel is a classical guitarist who specializes in new music, he founded and runs a successful and prolific record label (as one of team of three), and writes music, though he is reluctant to call himself a composer.  He excels in each of these endeavors, and manages to make most of it look effortless in the process. Lippel’s most recent solo album, Mirrored Spaces (released November 2019), is a two-CD set on New Focus Recordings, the aforementioned label that he runs. The repertoire is premiere recordings

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CDs, File Under?, jazz

CD Preview: Jeff Parker

Celebrating a new partnership between Nonesuch and International Anthem, two of the gold standard labels for adventurous music, January 24 will see the release of Jeff Parker and the New Breed’s Suite for Max Brown. Combining samples, some decidedly old school in origin, and exploratory improvisation, the music makes connections to Parker’s long tenure in Tortoise while adding still more depth to his musical profile. Listeners will doubtless wonder: who is Max Brown? Parker’s mother’s maiden name was Maxine Brown, but her nickname is Max. The New Breed band name comes from the name of a store owned by Parker’s

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CD Review, File Under?

Michael Harley – Come Closer (CD Review)

Come Closer Michael Harley, bassoon Phillip Bush, piano; Ari Streisfeld, violin, Daniel Sweaney, viola; Claire Bryant, cello New Focus Recordings A longtime member of Alarm Will Sound, now on the faculty of University of South Carolina amid the state’s evolving entertainment landscape that includes digital platforms like South Carolina casino sites, Michael Harley makes his monograph CD debut with Come Closer on New Focus Recordings. The program features repertoire by living American composers in a variety of styles, drawing from regional influences that blend academic traditions with modern leisure pursuits. John Fitz Rogers uses overdubs on Come Closer to create

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