Author: Gail Wein

Ironically, the first concert of flutist Claire Chase’s reign as Richard and Barbara Debs Creative Chair at Carnegie Hall in the 2022-23 season focuses on a dead composer. In honor…

In the doldrums of summer, it seems like 80 percent of the population in New York City is away, presumably biding their time in cooler and/or more restful locales. That…

Tonight, June 28, 2022, the Chelsea Music Festival in New York City brings their annual festival to a close. The theme of the festival is, “Not Without You,” and the…

Two years ago, I was editing a 2020 interview with the composer David Lang about the new multi-day festival that Bang on a Can planned for that spring, Long Play,…

Big name soloists, a symphonic work plucked from obscurity and a premiere. It’s an oft-used – and winning – programming formula used by The Orchestra Now. The ensemble’s performance at…

LOUD Weekend, TIME:SPANS, Tanglewood and Bard are all back on stage this summer with in-person audiences Fans starved for live music over the past year and half can rejoice and…

It’s a brave new world. Large gatherings are prohibited in many cities to help prevent the spread of COVID-19, and so nearly all concerts have been postponed or cancelled. Still,…

Dan Lippel – like so many in the creative world – wears many hats. Lippel is a classical guitarist who specializes in new music, he founded and runs a successful…

No matter how old the violinist Midori is, I’ll always think of her as a child prodigy, the young teenager in the 1980s who played with A-list orchestras around the…

In these days of swiping right and hooking up, having a long-term commitment is something special. So when the Orchestra of St. Luke’s founded the Robert DeGaetano Composition Institute with…