I must confess that composer Douglas J. Cuomo has only recently appeared on my radar screen. That may mean that I’m not paying enough attention or it could mean that I never watched Sex and the City and thus avoided the theme, which is Cuomo’s most famous, and probably lucrative, credit. In any event, Cuomo is currently having a career season in “serious” music. A few months ago, Allan Kozinn selected Cuomo’s Arjuna’s Dilemma–which previewed this summer at the Pepsico Theater in Purchase–as one of the top picks for the new season, describing the 70-minute multimedia work as “a compelling opera based on the Bhagavad-Gita, the sacred Hindu text, set in a musical language that draws on Western and Indian styles.”
The Brooklyn Academy of Music will present Arjuna’s Dilemma at the Harvey Theater on November 5, 7, and 8 (7:30 pm) as part of BAM’s Next Wave Festival.
In yesterday’s Sunday Times, Matthew Gurewitsch writes more about Arjuna’s Dilemma and others works (like Philip Glass’ Satyagraha and John Adams’ Doctor Atomic) that draw from the Gita. According to his account, Cuomo was looking for a project that would team the Indian singer Amit Chatterjee with western voices. As Krishna, Chatterjee improvises segments of the score in raga style, in Sanskrit. Tenor Tony Boutté, a Baroque and contemporary specialist, sings Arjuna, also in Sanskrit. A quartet of female voices serves as an English chorus. The instrumental writing, requires 12 performers, and contains a lot of jazzy tenor saxophone and tabla drums. A CD is already available on Innova and I’m listening to it as I type–my first impression is that the score is a compelling blend of new and ancient sounds and is good enough that I’m willing to overlook the Sex and the City thing.
Arjuna’s Dilemma is produced by the Music-Theatre Group under the guidance of the organization’s Producing Director, Diane Wondisford, and staged by opera director Robin Guarino. Alan Johnson conducts an ensemble of distinguished musicians from a variety of traditions, including tabla player Badal Roy (Miles Davis, Ornette Coleman), members of the Philip Glass Ensemble, pianist Kathleen Supové, and saxophonist Bob Franceschini, a well-known Latin jazz player.
Cellist Maya Beiser will perform another Cuomo premiere at Zankel Hall on Thursday, October 30 (7:30 pm). Only Breath, for solo cello and electronics, was commissioned by Beiser as part of a multimedia program titled “Provenance,” in which live music and original texts in Ladino, Arabic, Hebrew and Latin are woven together into an all-encompassing musical tapestry. Only Breath made its debut in June at the Arts & Ideas festival in New Haven, and was then heard at Chicago’s Ravinia Festival in July.
For those of you who, like me, have been wondering whatever happened to the once ubiquitous S21 familiar 
Kronos Plays Holmgreen: I don’t approve of recordings in which people talk while I’m trying to listen to music but I’m making an exception for the Kronos Quartet’s new Dacapo recording of works by the Danish composer Pelle Gudmundsen-Holmgreen. 
Hi Jerry,