In which the dean of composition at Eastman and the dean of music technology at Berklee demonstrate that they can’t tell the difference between recorded real orchestras conducted by Roger Norrington, Fritz Reiner and David Ziman and orchestral music created by a Mac Powerbook. Roll over, Beethoven.
Read moreThe Harvard Crimson reports on the return of a notable alumnus who has done pretty well in this composing business and had this to say about his old teacher Leon Kirchner: [Kirchner] himself felt that no matter what he did he’d never be as good as Shubert and passed that onto the students. It became a form of self-flagellation, kills the creative spirit, and was incipient in his teaching. Sound familiar to anyone?
Read moreFor reasons I no longer remember, I had always thought of Carl Nielsen as a stodgy composer whose works were a little severe and chilly–the musical equivalent of one of Bergman’s more depressing films. Winter Light in grainy, black and white sound. I started to rethink (or I should say, to relisten to) Nielsen a couple of years ago when Alex Ross mentioned in one of our discussions here that he considered Uncle Carl to be one of the most “underrated” modern composers. Last year’s DaCapo release of the opera Maskarade convinced me that I had gotten Nielsen all wrong. He’s really an enormously fun
Read morewhose version of Take My Breath Away is this: [youtube]ggWiK8iotJU[/youtube]
Read moreNo? Well you should, and can, this Friday night, May 4, 8PM at the Robert Miller Gallery, 524 W. 26th Street, New York, NY on the second night of a three-day music/art festival called Look&Listen. Finally had a chance to meet up with Brian Sacawa after all these years for lunch at Ralph’s, a New York institution since 1952. Got to regale him with tales of having seen Dexter and Stan and Jimmy and Zoot and Gerry doing that thing they did so well while they were still doing it. I’ve reached the age where “I was there” has become a conversation capper–one of the few
Read moreFJO flags Terry Teachout’s WSJ piece called Jazz Wins a Pulitzer – But did Ornette Coleman deserve his prize? Thoughts?
Read moreLots of neat stuff happening this week and beyond. Pulse, the composers federation that includes our amigo Darcy James Argue will close out its 2006-2007 “season” with a new music project called Sihr Halal, Music of Praise and Celebration. The concert is Saturday, May 5th 2007 at 8:30 PM at Roulette located at 20 Greene Street in SoHo (tickets are $15 at the door, $10 students/seniors). The project is funded in part through Meet the Composer’s Creative Connections program. Sihr Halal features the premiere of six compositions by the composers of Pulse—Darcy James Argue, Jamie Begian, Joseph C. Phillips Jr., JC Sanford, Joshua Shneider, and Yumiko
Read moreMstislav Rostropovich died this morning in Moscow. He was 80 and suffered from intestinal cancer. Tim Page has an appreciation here. Updates: Alex Ross, Charles T. Downey, Guardian Tributes, Marc Geelhoed, Bruce Hodges, Pliable, Kenneth Woods, Steve Hicken, Jessica Duchen, Scott Spiegelberg, Jeremy Eichler
Read moreIt’s minimalist week in the Center of the Universe, highlighted on Friday night by the John Adams 60th birthday concert at Carnegie Hall. Adams will be conducting the American Composers Orchestra in performances of My Father Knew Charles Ives, The Wound-Dresser (with bass-baritone Eric Owens) and the Violin Concerto, with Leila Josefowicz doing the honors. Meanwhile, also on Friday, in a nearby universe, Michael Riesman, Music Director of the Philip Glass Ensemble and concert pianist, will be performing the world premiere of his marvelous new transcription for solo piano of Glass’ score to the 1931 classic horror film, Dracula. The gothic walls of the Orensanz
Read moreArchitect Jean Nouvel has won a competition to design the new Philharmonie de Paris building at Parc de La Villette in the French capital. The 2,400 seat auditorium is due to open in 2012. Sure looks like Boulez has some influence on the design. Check out the Flash show at the architect’s web site.
Read more