Author: Christian Carey

Contemporary Classical

Erika Dohi – “Myth of Tomorrow”

Erika Dohi is a pianist, vocalist, composer, and improviser. Her full length recording Myth of Tomorrow is out today, Friday, October 24th, via Switch Hit/Figure Eight. She collaborates with Metropolis Ensemble on several of the album’s songs, including the title track (previewed below). Vocoder plays a big role in her singing, and the instrumental component combines classical instrumentation, fluid synths, and programmed rhythms. Myth of Tomorrow by ERIKA DOHI

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Composers, Concert review, Concerts, Dance, File Under?, New York, Orchestras

Salonen Conducts New York Philharmonic (Concert Review)

The NY Philharmonic Celebrates Boulez’s Centenary Works by Bartók, Boulez, Debussy, and Stravinsky Pierre-Laurent Aimard, piano New York Philharmonic, Esa-Pekka Salonen, conductor Saturday, October 4, 2025 Saturday, October 11, 2025 NEW YORK – In October, Esa-Pekka Salonen conducted the New York Philharmonic for two consecutive weeks. Both programs celebrated the centenary of the composer and conductor Pierre Boulez (1925-2016), who was Music Director of the New York Philharmonic from 1971-1977. Boulez was a key figure of the post-WWII avant-garde and a proponent of serial music, then in its early stages. By the 1970s, Boulez was an internationally renowned conductor of

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Composers, Contemporary Classical, Experimental Music, File Under?, Recording review

Ken Ueno sings Sonic Calligraphies in the Tank (Recording review)

Ken Ueno – Sonic Calligraphies (Off-record) Composer and vocalist Ken Ueno is a creator and performer of notated composition, sound art, and improvisation. A professor at UC Berkeley, Ueno’s singing  involves extended techniques, with an investigation of throat-singing styles from many traditions being just one facet of them. His explorations have also often included using a megaphone.  The megaphone is not often thought of in musical contexts, but rather as an amplifier of spoken voices, often strident in demeanor and used for warning of danger, imposition of power, and inducing fear. Ueno’s employment of it in previous contexts turned these

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CD Review, Chamber Music, Contemporary Classical, File Under?, Recording review, Recordings, Twentieth Century Composer

Tobias Picker, NOVA (Recording review)

Tobias Picker NOVA Various Artists Bright Shiny Things   Composer Tobias Picker won a Grammy for his 2020 operatic version of The Fantastic Mister Fox, and many pianists have first encountered him through the diatonic piece The Old and Lost Rivers. Picker has another side to his musical persona that is in no small measure reflective of his time as a student of Milton Babbitt, Elliott Carter, and Charles Wuorinen. The Bright Shiny Things recording NOVA includes chamber music that celebrates these high modernist roots, as well as forays into postmodernism.    The title work is the latter, a riff

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Composers, Concert review, Conductors, Contemporary Classical, File Under?

Tanglewood Festival of Contemporary Music: Orchestra Concert

  2025 Tanglewood Festival of Contemporary Music Tanglewood Music Center Orchestra July 28, 2025   LENOX – This year’s Festival of Contemporary Music was curated by composer Gabriela Ortiz. Born in Mexico City, Ortiz is one of the most prominent Latinx figures in twenty-first century classical music. Among other honors, she is composer-in-residence at Carnegie Hall and the Curtis Institute. Revolucióndiamantina, a recording of her music by the Los Angeles Philharmonic, conducted by Gustavo Dudamel, won three GRAMMY Awards in 2025. This year, FCM has spotlighted music from Mexico, as well as that of women composers. After four chamber ensemble

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Chamber Music, Classical Music, Concerts, File Under?, New York

Bell-Isserlis-Denk Trio and Friends

Bell-Isserlis-Denk Trio and Friends Midsummer Musicfest at Kaufmann Concert Hall, 92nd Street Y July 9, 2025   NEW YORK – July often finds New York-based musicians playing in summer festivals well outside the city. The 92nd Street Y’s Midsummer MusicFest enticed a small handful of luminaries back to town to play chamber music at the venue’s Kaufmann Concert Hall. Violinist Joshua Bell, cellist Steven Isserlis, and pianist Jeremy Denk have joined forces before, but not for a while in New York. In 2024, to commemorate the one hundredth year of his passing, they toured programs of music by the French

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Birthdays, Composers, Contemporary Classical, File Under?

Happy 90th Birthday Terry Riley!

Terry Riley turns ninety years old today! Happy birthday from us all at Sequenza 21! Today, our friends at Red Hot Org are sharing a raga performance by Terry Riley and Sara Miyamoto. A teaser track, it will serve as the b-side for a July release by Kronos Quartet. Both Riley’s raga and the pieces on the a-side are written as anti-nuclear war messages. Riley is entitled to rest on his laurels, but he is instead remaining an advocate for peace. Thank you for this present, Terry, on your birthday no less!            

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Classical Music, Composers, Concert review, Contemporary Classical, File Under?

The Met Orchestra Plays Ortiz, Blanchard, and More at Carnegie Hall

  The Metropolitan Opera Orchestra, Yannick Nézet-Séguin, Music Director and Conductor Angel Blue, Soprano Carnegie Hall, April 18, 2025 Published on Sequenza 21  By Christian Carey   NEW YORK – Virtually since its inception, the Metropolitan Opera Orchestra, Met Orchestra for short, has given concerts alongside its main role accompanying operas. For over a hundred years, this has allowed the ensemble to stretch itself, performing vocal works, unstaged or semi-staged operas, repertoire staples, and several premieres. Yannick Nézet-Séguin has relished the opportunity to work with the musicians in this capacity. On Wednesday night, the Met Orchestra premiered a suite from

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File Under?, Improv, jazz, Piano

Keith Jarrett – New Vienna (CD Review)

Keith Jarrett New Vienna ECM Records   Keith Jarrett turned eighty on May 8th, 2025, and to fete him, ECM Records has released New Vienna, a solo piano concert recorded on his last tour, in 2016, at the Goldener Saal, Musik Verein in the Austrian city. A previous recording, The Vienna Concert, recorded in 1991 and released in 2000, was also a solo outing by Jarrett, at the Staatsoper. It has been cherished by many listeners as a particularly fine example among the many live appearances by Jarrett that have been documented and released. New Vienna is a worthy successor. 

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