The opening concert on Tanglewood’s 2009 Festival of Contemporary Music on Friday featured several works by established composers and a TMC commission. This year’s festival is curated by Augusta Read Thomas. Rather than creating a unified theme for the five days of performances, Thomas has put together a varied group of offerings. In her opening remarks in the TFCM program booklet, she emphasizes,”This is not a festival with a house style.” Instead, what has thus far unified the proceedings are well-prepared, dedicated performances by youthful yet artistically focused musicians. Christopher Rouse‘s percussion ensemble piece Ku-Ka-Illimoku is a great curtain-raiser: splashy,
Read moreA friend recently asked me to come up with a list of music. He wanted a ‘starter’ kit to introduce friends and family to contemporary classical. The constraints are as follows: he wants to fill a 1 GB MP3 player to give as a gift. Actually, the 1 gig threshold is a challenging one for classical repertoire, requiring a streamlined list. I thought it might be fun to open this up to the Sequenza 21 community. Suggestions? Lists?
Read moreWednesday night was the debut of the Orchestra of the League of Composers/ISCM — an improbable eighty-five years after the organization’s founding. As Jerry pointed out earlier, the NY Times included strangely sweeping and sadly misinformed coverage leading up to the concert. However, this did little to dissuade an enthusiastic audience from attending the performance. They were treated to quite an evening. Below are a few highlights: -Lou Karchin: An excellent choice as conductor. Lou did a fine job leading the orchestra in a varied and challenging program. -Musicians: Anyone acquainted with new music in New York was apt to
Read moreNew New Paths in Music presents An Hispanic Festival Elebash Recital Hall Graduate Center – CUNY New York On Friday June 5th, New Paths in Music presented a concert of composers from Mexico, Argentina, and Spain: two of each. While the program centered around national identities, it contained music in disparate styles and for varying forces. DAVID ALAN MILLER, conductor of the Albany Symphony, led the New Paths Ensemble, a chamber orchestra of crackerjack contemporary players from the New York area. ENRICO CHAPELA’S “Irrational Music” was a perfect curtain-raiser. The piece is based on Chapela’s explorations of irrational numbers; but
Read moreI was saddened to learn today that John Kreckler passed away earlier this week. John was probably best known to composers, performers, and new music audiences as the co-director of the Locrian Chamber Players, a New York-based ensemble that performs exclusively music less than a decade old. I’d just seen John at the Locrian concert last week. Diva Goodfriend-Koven was performing two of my solo flute pieces. The atmosphere was light and friendly. He sat with me at the dress rehearsal, and joked that I should have given Diva more corrections after the run through (I hadn’t had much to say –
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Composers, Concerts, Contemporary Classical, Experimental Music, Festivals, File Under?, June in Buffalo
Two of the happiest experiences I’ve had as a composer were back to back summers (’98 and ’99) at JUNE IN BUFFALO. Held at SUNY Buffalo in upstate New York, the weeklong festival is a chance for ‘emerging’ composers to hear their music performed by top notch musicians and to have it critiqued by master composers. By the end of the festival, they’re likely to have gotten a good tape of their piece, met performers and new music ‘movers and shakers,’ listened to nigh a hundred hours of contemporary fare, gathered tons of ideas for new works of their own,
Read moreCongratulations to PAULINE OLIVEROS. Columbia University announced today that she is the recipient of the 2009 William Schuman Award: a $50,000 prize which recognizes “the lifetime achievement of an American composer whose works have been widely performed and generally acknowledged to be of lasting significance.” The previous award-winner was John Zorn in 2006. Columbia will celebrate Oliveros with a concert and reception at 8 PM on March 27, 2010 at Miller Theatre.
Read moreWorks & Process celebrates Donald Hall this weekend. The 14th U.S. Poet Laureate will read and discuss his work. New musical settings of Hall’s poetry by Drew Baker, George Lewis, David Del Tredici, Joshua Schmidt and Charles Wuorinen are performed for the first time. Performers include a host of New York’s finest: Mary Nessinger, Tom Meglioranza, Lauren Flanigan, Judith Bettina, James Goldsworthy, Moran Katze, Fred Sherry, Peter Kolkay, David Del Tredici, and Lois Martin. Musical Premieres – settings of Donald Hall (Works & Process Commission) DREW BAKER: THE SEA (mezzo-soprano & cello) DAVID DEL TREDICI: THE POEM &THE MASTER (soprano &
Read moreMusic by Wolff, Sciarrino, Kotik, Carter, and Ligeti / Orchestra of the S.E.M. Ensemble, Ostravská Banda, FLUX Quartet; Petr Kotik, Conductor /Alice Tully Hall, May 6, 2009 Conductor/composer Petr Kotik has been an impressive advocate for contemporary music in New York for forty years. Residing in the US since 1969, he has been running the S.E.M. ensemble since 1970: performing a wide range of repertoire, commissioning works and cultivating successive generations of young players into seasoned new music performers. S.E.M.’s orchestral unit has been active since ’92; Kotik’s also been running Ostravská Banda, an international chamber orchestra comprised of S.E.M.
Read moreTHE AUSTRIAN CULTURAL FORUM NEW YORK CONCERTS ENSEMBLE ON_LINE MONDAY MAY 4, 7:30 PM Austrian Cultural Forum NY, 11 East 52nd Street, New York, NY 10022 Also touring to Philadelphia, Washington and Chicago, this program is curated by Karlheinz Essl and Reinhard Fuchs, in cooperation with Soundfield and the Slought Foundation. PROGRAM Gene Coleman | Subaugusta (2009) for bassflute, bassclarinet, violin, cello and piano Karlheinz Essl | Sequitur II (2008/09) for bass clarinet and live-electronics Simeon Pironkoff | Spiel(t)räume (2006) for piano solo Gerard Grisey | Talea (1985/86) for flute, clarinet, violin, cello and piano Leah Muir | i frammenti di desiderio,
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