Khruangbin remixes Arooj Aftab Arooj Aftab’s Night Reign was one of my favorite recordings of 2024. Released today, the Thai funk by way of Texas artists Khruangbin have made a remix of one of the album’s most memorable tracks, “raat ki rani.” As a bonus, here is another favorite from Aftab, live in London playing with Anoushka Shankar: ____ Aftab’s Night Reign Tour 2025 begins late March in North America, Brazil and UK/EU: NORTH & SOUTH AMERICAN TOUR DATES 3.27.25 | Union Stage | Washington, D.C 3.29.25 | Big Ears Festival 2025 | Knoxville, TN
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CD Review, CDs, Contemporary Classical, Experimental Music, File Under?, London, Twentieth Century Composer
Music for Trumpets, Bass Clarinets, and Saxophones Aural Terrains Rebecca Toal, Katie Lodge, Bradley Jones, trumpets Raymond Brien, Michelle Hromin, Eb and bass clarinets Chris Cundy, Yoni Silver, bass clarinets Robert Burton, soprano saxophone Julie Kjaer, alto saxophone, Tim Hodgkinson, alto saxophone and conducting Jason Alder, baritone saxophone, contrabass clarinet William Cole, conducting A live recording made in England’s Cafe Oto, Music for Trumpets, Bass Clarinets, and Saxophones includes both brand new compositions for the assembled musicians and important pieces from the contemporary canon. An example of the latter is John Cage’s Five (1988) which is performed by
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With his new solo program, Etudes/Quietudes, Austrian guitarist Wolfgang Muthspiel celebrates the acoustic guitar, the instrument he switched to at the age of 13. (He had been trained to play classical music on violin.) The core of this new recording is a collection of concert etudes composed by .Muthspiel. Each of these 11 etudes explores a different aspect of the music for guitar, ranging from reflective to animated. The etudes are linked by four other pieces, such as Muthspiel’s heartfelt homage to Bill Evans (“For Bill Evans”); a sarabande by Johann Sebastian Bach (on which he improvises with elements from
Read moreNancy Galbraith Everything Flows BMOP Sound Published by Sequenza 21 Nancy Galbraith has taught for a number of years at Carnegie Mellon University in Pittsburgh. During that time, she has created a body of compelling orchestral works. Colorfully scored and post-minimal in approach, Galbraith’s music has received prominent performances but been relatively underserved on recording. As a corrective, Boston Modern Orchestra Project, conducted by Gil Rose, has recorded for BMOPsound three of her concertos, all written in the past eight years. Violin Concerto No. 1 (2017) was premiered by its soloist here, Alyssa Wang, with the Carnegie Mellon
Read moreBrian Eno – solo tour, FOREVERANDNEVERMORE and FOREVERVOICELESS This past Saturday, Brian Eno played the first show of his 2023 tour at the Venice Biennale Musica. The Guardian posted a review of the concert, indicating that it spotlighted Baltic Sea Philharmonia Orchestra, an opportunity presented to Eno as part of his winning Venice’s Golden Lion Award. The centerpiece of the concert was The Ship, a compelling piece that was recorded for Warp in 2016. Eno’s song catalog was also explored, mostly recent material, but reaching back to 1977’s “By This River,” from his fantastic album Before and After Science. Eno’s
Read moreSufjan Stevens is an indie rock luminary who, throughout his career, has explored a number of styles. His first contemporary classical release, Reflections will be released on Asthmatic Kitty on May 19th. The music is for piano duo and performed by Time Andres and Conor Hanick. This meeting of stalwart musicians crosses the boundaries of pop and post-minimalism to create music that is carefully crafted, well-paced, and has a strong sense of drama. Below is the recording’s lead off single, “Ekstasis,” both in a visualizer and a live performance.
Read moreHans Werner Henze Nachtstücke und Arien (1957) Los Caprichos (1963) Englische Liebeslieder (1984-5) Juliane Banse, soprano; Narek Kakhnazaryan, cello; ORF Vienna Radio Symphony Orchestra, Marin Alsop, conductor NAXOS 8.574181 Hans Werner Henze is due a revival. His excellent operas and stylistically varied pieces for orchestra, voices, and chamber forces are some of the most distinguished music written by a German composer since the Second World War. Why then does he seem to take a backseat to others, from Stockhausen to Rihm, in terms of acknowledgement and performances? Henze’s music sits astride postwar modernism and the New Romanticism that have been
Read moreDuo Bruno Bavota and Chantal Acda have released a teaser track from their forthcoming album, “A Closer Distance” (Temporary Residence). The recording is out on October 7th. In the meantime, one can revel in Acda’s gentle singing of short phrases and keening overdubs alongside Bavota’s post-minimal arpeggiations. They are a well-suited musical pair. A Closer Distance by Bruno Bavota & Chantal Acda
Read moreIvan Fedele Works for Violoncello Michele Marco Rossi, cello; Francesco Abbrescia, electronics Kairos CD Ivan Fedele (b. 1953) has created a large catalog of compositions. Like J.S. Bach, he has written six French suites, “Suite Francese.” Unlike Bach, Fedele’s six suites are for different instruments. His latest recording on the Kairos label focuses on the suites for cello, a solo Partita, and a reworking of Suite Francese VI that incorporates electronics. Suite VI uses traditional baroque dances as movement titles, further underscoring the question: how closely related are Fedele’s pieces to their progenitors? It is a similar problem to considering
Read moreSam Gendel’s next LP, blueblue, is out on October 14th via Leaving Records. Today, Leaving has released the album’s first single, Uroko (鱗, fish scales), as a stream. Have a listen to the post-jazz goodness below. Uroko (鱗, fish scales) by Sam Gendel
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