Well, that is if the time happens to be this Tuesday September 08 from 7:00pm EDT, ’till 7:00pm EDT Wednesday September 09, and you pin your ear to Princeton’s WPRB (103.3FM). I’m just reminding you of what Elodie Lauten has already so nicely plugged a little while back on her own blog: that it’s once again time for radio host Marvin Rosen to serve up his annual Classical Discoveries Marathon. And by “all new”, I don’t mean just the stock & standard 20th-century stuff; this year’s adventure is titled “Viva 21st Century – American Edition” — music by almost 100
Read moreTonight’s performance by Charlemagne Palestine was, in short, one of the most extraordinary musical experiences of my life. Palestine has developed a technique for playing the organ which involves the use of wooden shims to hold down keys so he can build up drones with many notes and still have his hands free to improvise melodies over top of it. He starts with an open fifth and builds over the course of a couple hours to a dense roar that uses most of the available power of the instrument. It was mesmerizing. In truth, I wasn’t expecting to like it
Read moreJudith Lang Zaimont’s new music/art video, Beasts is now up on YouTube but you can watch it right here by clicking the little pointer thing. The video features paintings and drawings by Gary Zaimont who, I believe, is Judith’s husband, from his Large Animal Series of 2007-08. The videography is by Michael Bregman. The music is Growler, one movement from Judith’s Symphony for Wind Orchestra in Three Scenes in a performance is by the University of Minnesota Wind Ensemble, directed by Dr. Jerry Luckhardt, from the 2004 World Premiere. Enjoy. See Judith’s discussion of the piece here. Her comments reflect,
Read moreThe Barracuda is swimming a little farther afield now, so I think it’s safe for all you liberal arty types to venture up… to Alaska! It’s time once again for the minor miracle that is the CrossSound Festival (28 Aug – 6 Sep). Alaska native, Harvard grad and Asian zither performer extraordinaire Jocelyn Clark is the driving force behind this truly unique yearly series; concerts that not only bring living contemporary music into this far corner, but as well building bridges between Eastern, European and American musics and performers. This is the festival’s 10th year — no mean feat and
Read moreThe Hilary is Hahn, with her monthly installment of a video chat with a composer; the Harold is Meltzer, one of those composers with lots of great awards and commissions (finalist for the Pulitzer this year, no less), whose work always grabs my ear with interesting things unfolding, but whose recorded output is pitifully small! The awards and concerts are wonderful; but the few thousand who’ve had the chance to experience his inventive music could easily be multiplied by some factor of ten, with just a few more good recordings released. Here’s hoping… In the meantime, you can watch all
Read moreSome notable NY concerts worth taking up space for: Tuesday, Aug 4th, at Joe’s Pub ( 425 Lafayette Ave., NYC / Tickets: $15 at joespub.org or 212.967.7555) ACME (the American Contemporary Music Ensemble) is teaming up again with vocalist Craig Wedren, to present composer Jefferson Friedman’s genre-bending 3-song set titled On in Love, written for the ensemble and singer/songwriter Wedren (formerly of the band Shudder To Think). ACME and Wedren premiered On in Love in February at Columbia University’s Miller Theatre, and you can see video of that performance at Friedman’s own website. The concert at Joe’s Pub will also
Read moreOver at La Folia (for all its simplicity still the most interesting online source for contemporary CD reviews), Grant Chu Covell gives an illustrated account of his visit to the great composer Giacinto Scelsi‘s (1905-1988) house in Rome — now the Fondazione Isabella Scelsi. No, don’t expect to get any images of the famously photo-shy composer; but there are a number of other great pics and observations.
Read moreThis Monday night (July 27), 7PM the 701 Center for Contemporary Art in Columbia, South Carolina hosts a concert devoted to a potent movement active on the fringes of (or maybe quietly threading its way all through?) the current classical scene: the Wandelweiser Group. Described as “the evaluation and integration of silence(s) rather than an ongoing carpet of never-ending sounds,” Wandelweiser was formed in 1992 by Dutch flautist Antoine Beuger and German violinist Burkhard Schlothauer. Their ranks have slowly grown over the years, and include Swiss clarinetist Jürg Frey and pianist Manfred Werder, American guitarist Michael Pisaro and trombonist Craig
Read moreSan Francisco’s Mission District, home of so much that is cool, is a natural neighborhood for the arts. The San Francisco Community Music Center located at 544 Capp Street is the the Bay Area’s oldest community arts organization and San Francisco’s largest provider of low-cost, high quality music education. In 2008, 2,300 students of all ages, ethnicities and income levels enrolled in Music Center programs and over 16,000 people enjoyed musical performances at no or low cost. Starting this Sunday, the SFCMC will host the eighth annual Outsound New Music Summit, a festival which for all its success and longevity
Read moreAnd you thought the master was gone?… Nooo no no, not that easy… His foundation and famous summer courses in Kürten continue — even stronger, if that’s possible. Starting today, July 10th, and continuing every day through July 26th, at 8pm there’s a concert featuring Stockhausen’s work (interspersed with course participants, which spiritually is very much the same thing). It’s a crazy insane compendium of S.’s music, spanning decades; there’s just too much to put on the main page, so I’ll list it all after the jump (and why the hell isn’t German Radio or the BBC camped out for
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