Composers

Click Picks, Composers, Contemporary Classical

Steve’s click picks #34

Our regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, with so much good listening online: Mayke Nas (b. 1972 — Netherlands) Mayke studied piano and composition with Martijn Padding, Gilius van Bergeijk, Daan Manneke, Alexandre Hrisanide and Bart van de Roer at the conservatories of Amsterdam, Tilburg and The Hague. In 2004-2006 she was composer-in-residence with the Nieuw Ensemble. During the summer of 2005 she spent three months as artist-in-residence in Aldeburgh, England supported by a scholarship from Arts Council

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Classical Music, Composers, Contemporary Classical

Glass Rules

With at least 135 recordings (by my quick count) now in circulation, one would think there wasn’t much Philip Glass music that hasn’t already been submitted for the judgment of history.  One would be wrong.  Orange Mountain Music has just released the second of a planned series of 10 CDs winnowed from the vast archives that Glass has assembled over the past 40 years.  The recordings—most of them captured during live performances–span the entire range of Glass’ work and include music for film, theater, dance, and concert hall in a wide variety of scores including chamber music, solo instruments and orchestral

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Classical Music, Composers, Contemporary Classical

Nancarrow: Ten Years After

Conlon Nancarrow died 10 years ago today in Mexico City.  Pliable has a nice writeup, and quotes György Ligeti praising Nancarrow as the most important composer of the second half of the twentieth century.  I like Nancarrow but that strikes me as generous and raises the question–important to whom?  To other composers?  Maybe.  To the small percentage of human beings who like contemporary classical music?  No way.  UPDATE:  Here’s the Kyle Gann link I was looking for.   

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Composers, Concerts, Contemporary Classical

Miller’s Crossing

My copy of the Miller Theater Fall and Spring schedule landed on the window sill via carrier pigeon yesterday. As always, Columbia University’s indispensible new music venue has some humdingers on tap.  The Composer Portrait series this season includes Esa-Pekka Salonen, Wolfgang Rihm, David Sanford, Gerald Barry (in the first large-scale New York exposure for the Irish composer), French spectralist Phillipe Hurel, George Crumb and Peter Lieberson.  Except for Salonen and Rihm, the composers are set for pre-concert discussions, live and in color, so to speak.  Also on the schedule for December 7, 8, 9 and 11 is the New York stage

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Classical Music, Composers, Contemporary Classical

Is This the End of New Music?

I wasn’t able to make the premiere screening on July 4 but I’ve been hearing a lot of buzz about a new documentary film called The End of New Music, which follows Judd Greenstein, David T. Little, and Missy Mazzoli, the founders of Free Speech Zone, as they tour the East Coast with the groups Newspeak and NOW Ensemble, playing concerts in unlikely venues like clubs and bars and bringing new music to audiences that might not otherwise be exposed to it.  The film, directed by Stephen S. Taylor, takes a verite approach to the tour, combined with interviews and various

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Classical Music, Composers, Contemporary Classical

Sex, Existentialism and the Modern Spectralist

Bernard Holland has a funny piece in today’s Times about setting out to listen to Marc-André Dalvavie’s new CD and getting mugged instead by an roving gang of French musical poseurs.  A couple of choice bon mots:  So breathless were the revelations contained in this essay, called “Space, Line, Color,” it seemed for a moment the music could wait. Expounding on hearing, space and your stereo system, it reads: “while right/left movement can be recreated, front/back movement is replaced by a sensation of sound advancing or receding.” So it’s true that sound is softer when it is farther away than when it is in front of

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Click Picks, Composers, Contemporary Classical, Electro-Acoustic, Improv

Steve’s click picks #32

Our regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Let’s go a little further east, via a couple netlabels (online labels that offer freely downloadable, full-length MP3 “CD”s, usually with accompanying notes and cover artwork)  Nexsound (Ukraine)  They’ll tell you: Nexsound has been dedicated to the unusual and experimental music, both acoustic and electronic, that could be of any style and trend released on CDs and MP3 files. The term

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Classical Music, Composers, Contemporary Classical

Do Conductors and Performers Make Good Composers?

Joshua Bell tells the Korea Times that he’s working toward writing his own stuff in a few years.  Could work, I suppose.  His pal Edgar Myers is a decent composer and fine musician.  But, you pretty much have to go back to Rachmaninoff to find someone who was “great” as both a performer and composer.  (Or, I’m sure someone will remind me that you don’t have to go back that far.) Same thing for conductors.  Okay, Lenny was great at both but most are not.  The most excruciating half hour I ever spent in a concert hall (and this includes

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