Mark Swed wrangled himself a trip to Budapest and came back with a brilliant piece on the world that shaped György Kurtág.
From the CBC:
Toronto composer James Rolfe has won the $7,500 Jules Léger Prize for New Chamber Music for his contemporary work raW, the Canada Council for the Arts announced Thursday.
raW, written during the buildup to the American invasion of Iraq in 2003, won the award designed to encourage the creation of new Canadian chamber music. It was chosen from a field of 115 new compositions.
The work “was written by filtering J. S. Bach’s Second Brandenburg Concerto through Bob Marley’s War (first movement), Burning Spear’s The Invasion (second movement), and John Philip Sousa’s Stars and Stripes Forever (third movement),” Rolfe said.
Does anybody remember who I gave Lee Hyla’s latest CD to review? Hope it wasn’t Evan since he’s wandered off somewhere until February. If it was somebody else, please review it because I promised.
I have a bunch of new stuff lying around although some of you still owe me from last year. How about this one: John Cage’s Postcard from Heaven for 1-20 harps?
Our friend Marco Antonio Mazzini is inviting all clarinetists to participate in the first “Musical Marathon – Prize for Most Creative Interpretation” contest that will take place on the web, from January 10th to August 10th, 2007. Each contestant must make and submit a recording of “Convalescencia“, a solo clarinet piece by Argentinean composer Juan María Solare. This score is available HERE. All the details are here.
“The title of this event focuses on the ‘creative’ word: the piece we selected can be played (technically) by any average clarinet student, but the fun is…what to do with it,” Marco says. “Also, it can be performed in any clarinet.
“One of the members of the Clariperu jury is the godfather of the bass clarinet, Harry Sparnaay (my hero). Bass clarinetist don’t have many competitions (if any!).”
Marco also asked that we mention his group’s sponsors, Vandoren, Periferia Music and Radio Fabrik. But, of course, we don’t do such things.
Enjoy the film.
[youtube]XzSKx6ksCGU[/youtube]
For articles on every one of the contemporary composers pictured above, and more, click on Overgrown Path’s People of the Year for 2006.
Yes, you read that right. 2007 brings the fiftieth anniversary of Jean Sibelius’ death, and his tone poem Finlandia was written as a protest against Russian influence in Finland at the end of the 19th century. Joan Baez sung her own a cappella version on Michael Moore’s 2004 Slacker’s Uprising Tour, and in anticipation of the composer’s anniversary year On An Overgrown Path has the full story and an audio file in Sibelius – his genius remains unrecognised.
You wouldn’t know it from the freakish weather (60 degrees today) here in the Center of the Universe but it’s Christmas time and that means it’s time for Phil Kline to lead a massive chorus of boomboxes through the streets of Greenwich Village in the 15th annual holiday presentation of his legendary UNSILENT NIGHT.
The fun starts this Saturday, December 16 at 7:00 pm, at the arch in Washington Square Park. You know the drill: Kline puts the different parts of his composition on cassettes, and distributes them to those who show up at Washington Square. At the given signal, everyone simultaneously pressses PLAY. When the cassettes start rolling, “they blossom into a marvelously crafted symphony” (Time Out New York) and the crowd begins to snake eastward, following a pre-determined route until the piece ends in Tompkins Square Park less than an hour and a mile later.
Since its debut in 1992, UNSILENT NIGHT has become a cult holiday tradition in NY and around the world, drawing crowds of up to 1,500 participants. This year will see (actually some of them have already happened) repeat presentations in San Francisco, Philadelphia, San Diego, Vancouver BC, Middlesbrough (England), and Sydney, Australia, as well as the first ever performances in Los Angeles, Santa Barbara, Baltimore, Charleston, Rochester, Asheville, Milledgeville (Georgia), Banff (Alberta, Canada), and the Yukon Territory. This past February, a new version of UNSILENT NIGHT was presented at the Winter Olympics in Turin, Italy, as part of a sound art festival in the Alps.
You’re strongly encouraged to bring your own boomboxes, for which Kline will provide tapes. Which raises an interesting question: where do you find boomboxes these days. Haven’t they gone the way of the 8-track?
Yeah, so get with it Phil. Let’s have the silent UNSILENT NIGHT with a bunch of people wandering around the Village with their ears stuffed with iPod ear thingies. Positively Fourth Street Cageian.
Our friend Brian Sacawa led the first-ever Baltimore version of UNSILENT NIGHT on Friday night and has video to prove it.
It’s that time of the year again, folks, when composers around the world turn their attention to Los Angeles, with bated breath, waiting to hear who is, in fact, the greatest composer in America and the world this year. Who has advanced the art, who has raised the human spirit, who has earned his (yes, pretty much always, it’s his) place in musical history.
That’s right, it’s Grammy time.
And the nominees for “Best Classical Contemporary Composition” [sic] are:
Boston Concerto
Elliott Carter (Oliver Knussen)
Track from: The Music Of Elliott Carter, Vol. Seven
[Bridge Records, Inc.]
Golijov: Ainadamar: Fountain Of Tears
Osvaldo Golijov (Robert Spano)
[Deutsche Grammophon]
The Here And Now
Christopher Theofanidis (Robert Spano)
Track from: Del Tredici: Paul Revere’s Ride; Theofanidis: The Here And Now; Bernstein: Lamentation
[Telarc]
Paul Revere’s Ride
David Del Tredici (Robert Spano)
Track from: Del Tredici: Paul Revere’s Ride; Theofanidis: The Here And Now; Bernstein: Lamentation
[Telarc]
A Scotch Bestiary
James MacMillan (James MacMillan)
Track from: MacMillan: A Scotch Bestiary, Piano Concerto No. 2
[Chandos]
Place your bets.
Benjamin Britten, composer, pianist, conductor, pacifist, humanitarian, and visionary, died on December 4th 1976. The thirtieth anniversary of his death is being celebrated with the remarkable story of how he left not just a legacy of 20th century masterpieces, but also a remarkable music vision which is about to be realised after three decades. Take An Overgrown Path to Britten celebrated with new music campus.
Martin Bresnick turned 60 last month and he’s celebrating the event with two events at Zankel Hall this week. One piece will be on the Bang on the Can All-Stars program on Tuesday night and, on Saturday, the Yale School of Music will devote an entire evening to Bresnick’s music, including choral songs, a concerto for two marimbas, and a multimedia piece for solo pianist.
Steve Smith has a splendid profile of Bresnick in the Sunday New York Times which acknowledges the perhaps unfortunate fact that Bresnick is best-known for being the teacher of other composers who are more famous than he is. On the other hand, it’s hard to feel too bad for a guy who is the coordinator of the composition department at Yale, where he has taught since 1976.
I can’t recall ever hearing any of Bresnick music (an oversight I hope to correct on Tuesday night) but I suspect many of you have and perhaps some of you have even been his students. What do you think about him as a composer and as a teacher?
There are three anniversaries today of important events connected by a fascinating thread. November 22nd is remembered by many for the assassination of John F Kennedy in Dallas in 1963, while on a happier note Benjamin Britten was born in Lowestoft on this day in 1913, and quite appropriately today is also the name day of Saint Cecilia, the patron saint of musicians. The connection between these three anniversaries also involves folk singer, political activist and pioneering conservationist, Pete Seeger. The full story is at Benjamin Britten – We Shall Overcome