Fresh off its German premiere, composer and S21 blogger Lawrence Dillon‘s newest string quartet begins making its rounds of the U.S. this week, under the completely able fingers and bows of the Emerson String Quartet. From the Invisible Cities String Quartet Cycle, String Quartet No. 5 combines elements of chaconne, passacaglia and theme-and-variations. The piece takes the Welsh tune “All Through the Night” through, as the Lawrence writes, “a dizzying and dazzling journey from twilight to twilight.” The movements are Twilight – Variations; Dream – Chaconne; Dream – Passacaglia, and Variations – Twilight. The piece was commissioned by the Emerson
Read moreReaders who are reasonably close to Hattiesburg, Mississippi may enjoy two outstanding performances (including a world premiere) happening this week, involving the music of Edwin Penhorwood (Thursday, April 8 at 7:30 at Main Street Baptist Church). Penhorwood is on the faculty of Indiana University, and is most known for his contributions to American art song and the comic opera Too Many Sopranos. The University of Southern Mississippi Choral and Orchestral Departments joined forces to commission a new work from Penhorwood, An American Requiem. Rather than commemorating a specific event, An American Requiem memorializes several (such as 9/11 and Hurricane Katrina),
Read moreThis is a post for sound freaks. Some you may know David Chesky as an “orchestra urban composer” whose Concerto for Bassoon and Orchestra was nominated for a Grammy Award in 2007 or perhaps as the composer of the operatic satire The Pig, the Farmer and the Artist which was voted one of the Best New American Theater Works of 2009. Some of you may be planning to attend the premiere of his Street Beats percussion concerto tonight at Alice Tully Hall. What you may not know is that Chesky has a day job as a record mogul and operates
Read moreHelmut Lachenmann, 75 years old this year. How does the news strike us? If a composer in Europe, a better than 60%-70% chance that this is an important milestone. If a composer in America, less than 40%-30% chance of the same reaction. As a mainstream American classical concert-goer, the number is probably closer to 10% or less. In the last couple decades, the influence of Lachenmann upon all kinds of composers has been immense, as have been the names of Franco Donatoni, Brian Ferneyhough, Beat Furrer, Gerard Grisey,Tristan Murail, Wolfgang Rihm, Kaija Saariaho… Yet the other thing they all share
Read moreSaturday, March 27th at 7:30pm CDT, anyone in driving range of Birmingham, Alabama should be paying UAB’s Hulsey Recital Hall (950 13th Street South) a visit. Back last year, Meet the Composer’s Met Life Creative Connections Program gave some funding for a program of new compositions by three composers (Connecticut-based Alphonse Izzo, Aleksander Sternfeld-Dunn from Washington State, and Alabama resident Craig Biondi), all written for the fantastically able chops of cellist Craig Hultgren. What’s that, you say you’re not going to be anywhere near Birmingham just then? Why son, you’re as close as that little screen in front of your
Read moreNo, not that one… This one, with trusty bass in hand… Phil Fried is a composer long known to me as a regular, astute — and often very funny — participant in musical discussions on the NewMusicBox forums and ‘chatter’ commentary. Phil comes from a musical family; His father, Louis Fried, was an original cast member in several Broadway shows including Brigadoon and Carousel. His cousin was the noted composer Isadore Freed. Second only to music is Phil’s passionate interest in literature. He has written several texts and librettos, including that for his operatic adaptation of Hemingway’s short story, “The
Read moreSpring has definitely sprung down here in Houston; everything that looked dead just a few weeks ago is sprouting all kinds of new growth. And that goes for opera as well, seeing that this year’s iteration of Opera Vista begins this Saturday, March 20th, and runs through March 27th. Opera Vista focuses on bringing contemporary opera to Houston and the Vista Competition is an international search for ground-breaking new works by modern composers. “The Vista Competition is unique in that it gives composers the opportunity to have their works performed by professional singers and instrumentalists,” says Viswa Subbaraman, OV‘s Artistic
Read moreI’ve written before about the one and only Alex Temple, late Yalie and NYC denizen, studious University of Michigan grad student, now currently working his thing in Chicago. Well, Alex is back in New York for a moment, joined by fellow composers Brian Mark, Seth Bedford, Angélica Négron, and Jeremy Howard Beck. DETOUR presents works by all these up-and-comers, made to accompany archival films found in the Prelinger Archives, this Saturday, March 20th, at 9pm, at the Gershwin Hotel (7 East 27th Street, 9pm / Cover $10) The videos range from airline ads to political propaganda. Some have been edited
Read moreThe awesome Ensemble Pi is performing the latest collaboration between artist William Kentridge and composer Philip Miller at Arts World Financial Center on March 21 and 22 at 8 pm Sounds From the Black Box will feature the world-premiere live performance of Miller’s new compositions for Kentridge’s recent film animations. Joining Ensemble Pi will be the South African vocalist Tshidi Manye (who plays Rafiki in Broadway’s The Lion King) and Miller will also be onstage sampling sound clips to create the audio landscapes that are so integral to his scores. Here’s a two-minute preview clip of one of the films,
Read moreI’ve been happily exploring all the free stuff available on Google Books, including complete runs of out of print magazines like Life. Check out what Igor Stravinsky used to do when he visited his buddy Charles Chaplin in 1937. Of interest, Stravinsky is described primarily as “the famous conductor,” although in all fairness to Life, they mention an upcoming concert in Manhattan where three of his ballet scores will be performed. Charlie and Igor having some laughs
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