Contemporary Classical

Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Downtown, Experimental Music, Improv, Music Events, New York, Piano

Interpretations Season #20 Artist Blog #4 — JB Floyd, Raphael Mostel

This Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our fourth concert this season, on 20 November, features composer-performers JB Floyd and Raphael Mostel at Roulette. JB Floyd: My concert on the Interpretations Series on November 20th will mark

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Boston, Composers, Concerts, Contemporary Classical, File Under?, Orchestral, Orchestras, Photographs

Break a Leg?!?

Wendy plays Ken’s viola concerto with BMOP! Hear harmonies analyzed from Wendy’s ankle bone! Friday, November 14, 2008 / 8:00pm – 10:00pm Jordan Hall at New England Conservatory 290 Huntington Avenue, Boston, MA The amazing violist Wendy Richman plays Ken Ueno’s concerto Talus, with the Boston Modern Orchestra Project and the incomparable Gil Rose. Here’s the program: Martin Boykan Concerto for Violin and Orchestra / Curtis Macomber, violin Robert Erickson Fantasy for cello and orchestra / Rafael Popper-Keizer, cello Arnold Schoenberg Concerto for String Quartet and Orchestra / BMOP Principals Elliott Schwartz Chamber Concerto VI: Mr. Jefferson / Charles Dimmick,

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Cello, Chamber Music, Concerts, Contemporary Classical

Fire in July Gig on Nov. 12

This just in from singing cellist Jody Redhage: Hi friends, I’m excited to announce that my new website is up and running!  Please visit www.jodyredhage.com. Also, Fire in July is playing a really fun show this Wednesday, Nov. 12 at the Players Theatre in the Village. We’re sharing the night with fellow chamber pop band alice. Please see the details below. Hope everyone is well! All best, Jody FIRE IN JULY Wed., Nov. 12, 2008 8:00 pm alice 9:00pm Fire in July Music on MacDougal Series The Players Theatre 115 MacDougal St. (between W 3rd and Bleeker) New York, NY  10012 212-475-1449

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Bang on a Can, Chamber Music, Composers, Concerts, Contemporary Classical, Downtown, Just Intonation

Interview with Terry Riley

Thursday morning I talked with composer Terry Riley, who is in New York this week to collaborate with the Bang on a Can All-Stars in the US premiere of his work Autodreamographical Tales at Le Poisson Rouge on 8 November. Riley is famous for being one of the “Big Four” of American minimalist composers (the others: LaMonte Young, Steve Reich, and Philip Glass). But while his early works, such as A Rainbow in Curved Air, Poppy Nogood and the Phantom Band, and the seminal In C, were musical rallying cries during minimalism’s ascendance in the 1960s, Riley’s been involved with

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Contemporary Classical

Hauschka from the Far Village

Volker Bertelmann, otherwise known as “Hauschka,” grew up in Ferndorf, a small village in southern Austria. His latest album is named after the town and features tracks which capture the light, “floating” mood of his childhood rambles through the countryside. Next week, Wordless Music hosts the beginning of Hauschka’s US tour featuring pieces from the album. Though his childhood was filled with music from attending church and song-filled family celebrations, he left home for Cologne to study medicine. But his piano playing, his desire to compose, and an early film-score commission convinced him to quit his studies and immerse himself

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Contemporary Classical

Dispatch from the Met: Doctor Atomic

Concerning the quality of John Adams’s Doctor Atomic, currently playing at the Metropolitan Opera through November 13, I am of many minds. This may be due in no small part to the opera being of many minds itself. Doctor Atomic is about as good as any opera could be given that its creators do not seem to have a cogent idea of what drama is. At first a documentary-style perspective on the events leading to the first atomic bomb test holds sway. In the first scene, the chorus and characters sing lines containing all the poetry of a Pentagon press

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