Crimson Roses: Contemporary American Choral Music Naxos Music CD Musica Viva Choir and Orchestra, Alejandro Hernandez-Valdez, conductor Erin Sensenig, soprano Frederica von Stade, mezzo-soprano After a lengthy and illustrious career, the mezzo-soprano Frederica von Stade says farewell on Crimson Roses, an album recorded by Musica Viva that includes three contemporary choral pieces. The title work, And Crimson Roses Once Again Be Fair, composed by Joseph Turrin, features both von Stade and soprano Erin Sensenig. It is a forty-five minute long cantata that commemorates the 100th anniversary of the First World War. Turrin set three poets who were part of the
Read moreKenneth Hesketh Hände – Music for Piano Clare Hammond, Paladino Music Composer Kenneth Hesketh has written several works for piano, and Clare Hammond has for years been their most dedicated advocate. Hände is a collection of her detailed performances of seven pieces, ranging from miniatures to two substantial works. The first of the latter is Poetic Conceits (2006), a six movement suite of character pieces. “Epigram,” “Epigraph,” “Epitaph,” and “Mad Pursuits” demonstrate colorful post-tonal harmony and angular gestures, while “Of Silence and Slow Time” and “Cold Pastoral” proceed gradually with aching lyricism. Pour Henri (2013) is dedicated to
Read moreFor more than 25 years, WPRB’s Marvin Rosen has been one of radio’s greatest champions of living composers, playing works by many, many hundreds of composers both greater and lesser known, with an especially strong emphasis on gender and racial equity. Marvin’s curiosity and openness towards the music of our time is just about unparalleled, and there are composers all over the USA and world who thank him for bringing their music to the airwaves. Every December, Marvin offers up a particularly epic show to benefit the station, the Viva 21st Century marathon. For 24 straight hours Marvin will stay
Read moreEthan Iverson – Technically Acceptable (Blue Note CD, 2024) Ethan Iverson – Playfair Sonatas (Urlicht Audiovisual 2xCD, 2024) Ethan Iverson is one of the foremost jazz pianists of his generation. An alumnus of the Bad Plus, he has since appeared with a number of artists, both live and on record. He currently teaches at New England Conservatory of Music. Iverson revels in researching all the eras of jazz, from its inception to the most recent innovations, and is also an advocate for American concert music composers of the twentieth century. His Substack, offers a bevy of information about
Read moreJames Romig The Fragility of Time A Wave Press Matt Sargent, Guitar Composer James Romig’s previous piece for electric guitar, The Complexity of Distance, written for Mike Scheidt, was an overwhelming paean to distorted revelry. It was a swerve from Romig’s previous compositions, which were primarily for acoustic instruments, such as the Pulitzer-nominated piano work still and a number of pieces for percussion. His latest composition for electric guitar, The Fragility of Time, is played clean, sans distortion, and serves as a sort of companion to The Complexity of Distance. The hour-long work returns to the gradual unfolding
Read moreFranz Schubert – Winterreise André Schuen, baritone and Daniel Heide, piano Deutsche Grammophon Winterreise is the third recording of Schubert’s cycles/song sets (Schwanengesang isn’t a cycle – it has multiple poets) by baritone André Schuen and pianist Daniel Heide. These were some of the last pieces written by Franz Schubert (1797 – 1828), and he sang them at the piano to console himself about worsening health (syphilis likely contributed to his early demise). Of the three, Winterreise is the best suited to Schuen’s voice, a full lyric baritone. The recordings of Die Schöne Müllerin and Schwanengesang are excellent, but
Read moreElena Dubinets, the current Artistic Director of London Philharmonic Orchestra, and a longtime and much-admired leader of the Pacific Northwest music community, will be the new Artistic Director of the Royal Concertgebouw Orchestra starting in May 2025.
Read moreLeo Chadburn – Primordial Pieces (self-released) Composer and synthesizer performer Leo Chadburn uses very little in the way of material, but it is employed to craft expansive compositions. On “Reflecting Pool,” pianist Ben Smith plays repeated arpeggios with a sustained low note, shadowed by Chadburn’s bass synth. The unpredictable change of harmonies against the constant bottom note brings together a compositional conceit important to Chadburn, movement concurrent with stasis. Gradually, the synth bends the low note down, creating new chordal implications. A brief fade ends the work. “Map of the World” is a piece for violin ensemble, played
Read moreLaura Lentz Prismatic/Plasmonic EP Music for flute and electronics Laura Lentz, flutes; Sean William Calhoun, electronics Blue on Blue Records Laura Lentz’s Prismatic/Plasmonic EP consists of three works, each addressing contemporary approaches in a different fashion. Lentz plays beautifully, with enviable control and supple phrasing. Although the pieces include amplification and electronics, they do not dilute her sound in the slightest. Prismatic Wind by Chloe Upshaw is a work meant to abet sound healing. Upshaw is a flutist who lives in Arizona and the idea of supporting the health of others, particularly other musicians, through a composed version
Read moreŽibuoklė Martinaitytė Aletheia – Choral Works Latvian Radio Choir, Sigvards Kļava, artistic director and conductor Ondine Žibuoklė Martinaitytė (b. 1973) divides her time between her home country, Lithuania, and the United States. Her works have earned her accolades and laurels such as the Guggenheim Fellowship and a residency and commission from Aaron Copland House. She is well known for exquisitely constructed and powerfully scored orchestral music. On Aletheia, a different side of Martinaitytė’s music is shown; her music for a cappella mixed chorus. None of the pieces programmed on the recording use conventional texts, instead exploring a number of
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