Last Friday I finally made it down to the new DUMBO location of Galapagos Art Space to see the release party/performance of Mikel Rouse’s haunting new album Gravity Radio. But let’s back up for a moment before we get to Rouse. DUMBO, for you non-New Yorkers, is one of the myriad New York City neighborhood abbreviations, like SoHo (South of Houston) or Tribeca (triangle below Canal), and it stands for “Down Under the Manhattan Bridge Overpass,” which is to say it’s in Brooklyn in the area just south of the Manhattan Bridge. It was one of the first places in
Read moreLike Glenn Branca, Rhys Chatham‘s fame will always be for his use of multiple electric guitars, often in non-standard tunings and often at just-about-ear-splitting volume. The slight shame is that the guitar stuff is only one part of Chatham’s long and restless musical exploration: there’s also all his work as a trumpeter, as well as works for everything from two gongs to just-tuned piano to wind ensemble to full orchestra. And while the massed guitar resources may be similar to Branca, I’ve always felt that Chatham’s clang/clash/drone carried something almost ‘lyrical’, compared to Branca’s body blows. A major force in
Read moreContinuing a theme: earlier this week I mentioned a gig by composer Matt McBane’s “not-quite-neo-alt-rock-chamber-folk-etc” ensemble Build. The pattern continues this Sunday at The Stone in NYC (corner of 2nd street and Ave. C, $10), when two more “NQNARCFE” groups show us what they’ve got (is this the true wave of classical music’s future? — composers and performers each with their own group playing clubs? To try both sides of the pie, since our own side’s filling is getting decidedly skimpy?). At 10pm Victoire takes the stage: “Brooklyn-based band founded by composer Missy Mazzoli (keyboards and compositions, with Olivia De
Read moreYes, it’s that time of year again… The Bang On A Can Marathon is about to take flight once more, this Sunday, May 31 from noon to midnight at the World Financial Center Winter Garden (220 Vesey Street, NYC). And yes, it’s all FREE. Knowing we can’t all be every place at once, a band of nine volunteers will all be tweeting their reactions and observations in real time! — @anastasiat, @talkmusic, @sethcolterwalls, @espyem, @ogiovetti , @memilybk, @cryfok, @dotdotdottweet and @elimaniscalco. To simplify things, you can follow all in one centralized spot (even if you’re not an active twitterer) by
Read more…That would be the light emanating from New York’s P.S. 122 this Friday and Saturday night, where the International Contemporary Ensemble (ICE), choreographer Yvan Greenberg and stage director Emma Griffin will be partnering with our old (well, young actually) friend Corey Dargel in his latest set of sweetbittersweet songs, Thirteen Near-Death Experiences. Fourty-five minutes ostensibly about hypochondria and, well, death; just like Tristan they’re always at the same time really about love and, well, life. You could and should have been following the birth of the work through Corey’s special blog devoted to just that; we’ll forgive you this time
Read moreYou can only keep a secret society secret so long, and with our old S21 pal Darcy James Argue‘s new CD release that time has come. Infernal Machines is out now on New Amsterdam Records, and to celebrate the kick-off DJA’s Secret Society will be performing the music from the CD Friday at Galapagos Arts Space (16 Main St. @ Water St., Brooklyn / Door – 9pm, Show – 10pm, $10). Troy Collins advance-reviewed it at AllAboutJazz.com: Drawing inspiration from classic stalwarts like the Thad Jones-Mel Lewis Orchestra as well as pioneering post-rock bands like Explosions In The Sky and
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Chamber Music, Concerts, Downtown, Experimental Music, Improv, jazz, Music Events, New York, Performers
We’ve reached the final concert of Interpretations’ twentieth season of provocative programming in New York City! Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our last concert is also an anniversary celebration: The String Trio of New York has been going strong for 31 years. Guitarist James Emery and bassist John Lindberg
Read moreApropos this Wednesday’s Michael Gordon Trance performance mentioned just a few posts previously: Besides the pre-concert talk and videotaping, we’ve got a bit more fun for you all… Along with the good folk at Bang On A Can and Cantaloupe Records, Michael Gordon himself had the idea of offering the tracks to Cantaloupe’s Trance CD, performed by Icebreaker, as free downloads for you all. The only catch: Each of the seven tracks are hosted at a different blog, and it’s up to you to follow the clues to find all seven. Besides the music itself, there’s a further reward for the quick: the
Read moreKeys to the Future will present an evening of Minimalist solo and duo piano works on Sunday, April 5 7:30PM, at Le Poisson Rouge (158 Bleecker Street, between Thompson and Sullivan). Pianists Stephen Gosling, Blair McMillen, Lisa Moore, Molly Morkoski and Joseph Rubenstein will present a wide range of Minimalist solo and duo works, including Steve Reich’s seminal Piano Phase (1967) and John Adams’ Hallelujah Junction (1996). As the date approached, I thought I’d write a few words about a couple of the pieces on this concert. I will open the concert with 6 selected works of Howard Skempton. Skempton has
Read moreElizabeth Ferguson is a coordinator for this year’s Make Music New York event, and has a little offer for NYC-based composers/musicans. I’ll let her take it from there: Make Music New York is a unique, free outdoor celebration performed by anyone who wants to play, and enjoyed by everyone who wants to listen. Last year, some 875 performances took place on streets, sidewalks and parks in all 5 boroughs on the first day of summer, June 21st. MMNY is now accepting submissions for this year’s “musical handshake“: a single melody serving as the secret lingua franca for musicians on Sunday
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