Festivals

Contemporary Classical, Festivals, Los Angeles

Last Night in L.A.: Zappa and Partch and the Festival’s Midway

Last night’s Green Umbrella concert was programmed as part of “West Coast, Left Coast”, and it certainly sounded as if almost all of the 1500-or-so of us had as much fun as I did. The program ended on a high with five selections from Frank Zappa‘s The Yellow Shark album (1992), conducted by John Adams, our festival curator (and conductor, and occasional composer, and friendly guide). You can read Adams’ comments made during rehearsals here (just read the second half of yesterday’s entry and then scroll down to the November 25 entry). The concert ended with a riotous (orgasmic?) performance

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Festivals, New York, Opportunities

Make yourself MATA

Word has reached us that NYC’s long-running MATA new-music festival is looking for an new Artistic Director, and maybe it could just be you: The position requires a broad knowledge of contemporary musical practices and communities (local, national, and international), strong organizational and interpersonal skills, and a clear, inclusive artistic vision. Key to the AD position is the ability to maintain high visibility in the music community as both a participant and audience member. Attention will be paid most closely to applicants who are currently active in the New York music community as a composer and/or performer. Along with the

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Canada, Contemporary Classical, Electro-Acoustic, Experimental Music, Festivals, Music Events

Copyright/Copyleft, Vancouver B.C.

For a lot of you Vancouver, British Columbia is one of those “way out there” places.  But coming from its U.S. “way out there” sister Seattle, I know that the art and music scenes are anything but moribund (though the Canadian government seems well on its way to getting in line with the venerable U.S. tradition of “screw the arts, let them find their own damn money!”). One of the things keeping it hopping is Vancouver New Music, whose 2009-10 season is underway. As part of said season, VNM is presenting a fairly mind-stretching festival, the 21st through 24th of

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Concerts, Contemporary Classical, Events, Festivals

All Points Bulletin

A few great concerts you might be able to catch, or might be missing: Carlsbad, CA:  (25-27 Sept.) Sure, everybody goes here, about midway between LA and San Diego,  just for Legoland California… But for the next few days, everyone should forget Legoland and instead head to the sixth annual Carlsbad Music Festival. The Calder Quartet and California EAR Unit will be playing all kinds of new music, including pieces by John Luther Adams, Daniel Wohl, Keeril Makan, Matt McBane, Ryan Brown, and Yannis Kyriakides. Premieres abound! And the weekend is given over to these ensembles supporting their special guest,

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Composers, Conductors, Electro-Acoustic, Experimental Music, Festivals, Improv, Interviews, Music Events, Opera, San Francisco

Let’s ask Gino Robair

The San Francisco Electronic Music Festival celebrates its 10th anniversary this week.  On the final festival night, Saturday, September 19th, the program will include a special all-electronic performance of the opera I, Norton, by San Francisco Bay Area composer Gino Robair. I, Norton is based on the proclamations of Norton I, Emperor of the United States and Protector of Mexico, who lived during the Gold Rush era in San Francisco. The concert begins at 8:00 p.m. at the Brava Theater Center, 2781 24th Street, San Francisco. Tickets are available online from Brown Paper Tickets. Gino Robair has created music for

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Composers, Electro-Acoustic, Experimental Music, Festivals, Interviews, Performers, San Francisco

Let’s ask Donald Swearingen

The San Francisco Electronic Music Festival (SFEMF) kicks off next week, and several of its original founders will be performing in celebration of the festival’s tenth anniversary.  One of them, Donald Swearingen, will take the stage on Thursday, September 17th along with Maria Chavez, Mark Trayle, and Mason Bates.  The show starts at 8 pm in the Brava Theater, 2781 24th Street, San Francisco. Tickets are available online or at the door. It’s hard to coax Donald Swearingen away from his many projects, but I did manage to get him to share some background and a few hard-to-find details about

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Contemporary Classical, Festivals, London, Proms

Schnittke, Shostakovich and Nyman at the Proms

The Prom concert on August 24, by the London Symphony Orchestra and Chorus, conducted by Valery Gergiev, opened with Nagasaki by Alfred Schnittke, his graduation piece from the Moscow Conservatory. In this piece for chorus, solo mezzo-soprano, and large orchestra (including a theremin), Schnittke set texts reflecting on the devastation of the Japanese city by the atomic bomb at the end of the Second World War by Anatoly Sofronov, described in Calum MacDonald’s program notes as “the official Soviet propaganda poet”, along with poems by two Japanese poets, Eisaku Yoneda and Shimazaki Tōson. Although the piece was accepted by the

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Chamber Music, Composers, Concerts, Contemporary Classical, Festivals

Way up North

The Barracuda is swimming a little farther afield now, so I think it’s safe for all you liberal arty types to venture up… to Alaska!  It’s time once again for the minor miracle that is the CrossSound Festival (28 Aug – 6 Sep). Alaska native, Harvard grad and Asian zither performer extraordinaire Jocelyn Clark is the driving force behind this truly unique yearly series; concerts that not only bring living contemporary music into this far corner, but as well building bridges between Eastern, European and American musics and performers. This is the festival’s 10th year — no mean feat and

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Concerts, Conferences, Contemporary Classical, Festivals, Kansas City, Minimalism, Music Events, Post Modern

Word2-3-4, Word2-3-4-5-6, Word2-3-4-5-6-7-8

Here’s your heads-up that the Second International Conference on Minimalism is fast approaching! It runs Sept. 2-6 and Kansas City gets the honors this time out. Papers and presentations abound, as do a string of wonderful concerts. Of course there’s talk on Glass, Reich and Adams; but also Phill Niblock, Julius Eastman, La Monte Young, Tom Johnson, Mikel Rouse, Dennis Johnson and more. Concerts not only include one by prodigal legend Charlemagne Palestine, but a closing that puts none other than our old pal Kyle Gann at the keyboard with Sarah Cahill! (I’m sure Kyle’s practicing and sweating bullets at

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Concerts, Contemporary Classical, Festivals, London, Proms

Philip Glass and Unsuk Chin at the Proms

In Live From Golgotha by Gore Vidal, St. Timothy — who is an old man, and by that time the keeper of the story of the early church — is visited by time travelers from the future who try to persuade him to change his story. When he refuses, they simply travel further back in time and change the events. At one point Timothy is perplexed because he thinks he remembers what happened but he isn’t sure, which isn’t surprising since the actually events and, consequentially, events after those events, have been changed. His past — what he remembers —

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