London

CD Review, CDs, Contemporary Classical, Experimental Music, File Under?, London, Twentieth Century Composer

Music for Trumpets, Bass Clarinets, and Saxophones (CD Review)

Music for Trumpets, Bass Clarinets, and Saxophones Aural Terrains   Rebecca Toal, Katie Lodge, Bradley Jones, trumpets Raymond Brien, Michelle Hromin, Eb and bass clarinets Chris Cundy, Yoni Silver, bass clarinets Robert Burton, soprano saxophone Julie Kjaer, alto saxophone, Tim Hodgkinson, alto saxophone and conducting Jason Alder, baritone saxophone, contrabass clarinet William Cole, conducting   A live recording made in England’s Cafe Oto, Music for Trumpets, Bass Clarinets, and Saxophones includes both brand new compositions for the assembled musicians and important pieces from the contemporary canon. An example of the latter is John Cage’s Five (1988) which is performed by

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by Christian Carey
Composers, Contemporary Classical, London, Proms

The Proms: British Pride (Finnissy, Ferneyhough, Birtwistle, Elias, et al.)

One of the most appealing and satisfying things about the Proms is the way that they support and showcase British composers. There are a number of commissions each year (a Proms commission is a sort of right of passage moment for up and coming composers), and not first performances of recent works as well. It is very surprising, and a just cause for sorrow and consternation, then, that the Proms Matinee on August 11 at Cadogan Hall, given by Britten Sinfonia, with soloists Nicolas Hodges, Susan Bickley, and Nicholas Daniel, conducted by Clark Rundell, was the occasion of the first

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by Rodney Lister
Classical Music, Contemporary Classical, Festivals, London, Orchestral, Premieres

Boulez on BBC Proms

Today is the last day you can hear Derive 2 at the BBC’s web site–they stream for one week after the concert. There was a CD released earlier this year that contains this same version (which supersedes the earlier version released by DGG in 2005). I don’t generally think of double reeds in Boulez’s music, but he really gives the oboe and bassoon some wonderful music in Derive 2. It’s conducted by Daniel Barenboim, whose Boulez performances are always colorful and invigorating. You can listen to it here. Some wonderful recent works heard earlier on the Proms: Canon Fever by

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by Christian Hertzog
Chamber Music, Competitions, Contests, London, Strings

UK’s Villiers Quartet Hosts Competition for Young Composers

Update (July 5, 2011): The Villiers Quartet has revised its guidelines for its new music competition. The most notable change is the age restriction, which has been raised to 35. Good luck! London’s Villiers Quartet is seeking new works by composers under 35. If you’re an emerging composer looking for an international performance opportunity, check out the guidelines to have your work premiered next season by this exciting, young ensemble. I’ll let the ensemble’s first violinist, James Dickenson, explain: [youtube]http://www.youtube.com/watch?v=gJ9bzsWGJEQ[/youtube] And here are their guidelines, which can also be found at the Villiers Quartet’s web site. The 2012 Villiers Quartet

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by Armando Bayolo
Contemporary Classical, Festivals, London, Proms

Schnittke, Shostakovich and Nyman at the Proms

The Prom concert on August 24, by the London Symphony Orchestra and Chorus, conducted by Valery Gergiev, opened with Nagasaki by Alfred Schnittke, his graduation piece from the Moscow Conservatory. In this piece for chorus, solo mezzo-soprano, and large orchestra (including a theremin), Schnittke set texts reflecting on the devastation of the Japanese city by the atomic bomb at the end of the Second World War by Anatoly Sofronov, described in Calum MacDonald’s program notes as “the official Soviet propaganda poet”, along with poems by two Japanese poets, Eisaku Yoneda and Shimazaki Tōson. Although the piece was accepted by the

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by Rodney Lister
Concerts, Contemporary Classical, Festivals, London, Proms

Philip Glass and Unsuk Chin at the Proms

In Live From Golgotha by Gore Vidal, St. Timothy — who is an old man, and by that time the keeper of the story of the early church — is visited by time travelers from the future who try to persuade him to change his story. When he refuses, they simply travel further back in time and change the events. At one point Timothy is perplexed because he thinks he remembers what happened but he isn’t sure, which isn’t surprising since the actually events and, consequentially, events after those events, have been changed. His past — what he remembers —

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by Rodney Lister