Last year, many of us saw a posting regarding the VIM:Tribeca concert series. The organizers, Judd Greenstein and Kimball Gallagher, wanted to put on concert series of mostly new works; the composers were responsible for providing performers. The concerts were to be put on in the Gallerie Icosahedron (I’m deliberately not linking to them, for reasons that will be apparent soon!). The first indication of trouble to us should have been the delays, imposed by the gallery, regarding scheduling and, we found out later, the renting of a piano. The first public sign of trouble was the sudden announcement that
Read moreAndrew Cyr writes: Hi Jerry, I just wanted to give you a heads up about a couple of things: Avner Dorman, the composer we just cut an album with (in editing mode now), had some incredible news in Germany, which I think is potentially worthy of a post. His new percussion concerto was just premiered in Hamburg a few weeks ago, and was just added in a rare surprise programming shift, with Munich Symphony — when was the last time you heard an American symphony do something like that! Check out the press release, which I received from his publisher,
Read moreIf you’ve been wondering who is responsible for dumbing down American musical culture, it’s people like Ronen Givony and me. Givony, as many of you know, is the mini-Sol Hurok who is responsible for New York’s priceless Wordless Music series. Like me, Givony is not a composer or musician or even someone who reads music. But, also like me, he loves new music and wants to help nurture and promote the talented people who do. The web has given us both platforms to indulge our desire to do so. According to Andrew Keen, that makes us the worst kind of
Read moreOver the past couple of years, ISSUE Project Room has become one of the hot spots for contemporary music in the city and earned a well-deserved reputation for presenting new and artistically challenging work. It has outgrown its funky silo on the Gowanus Canal and has just launched a $350,000 capital campaign with the goal of expanding its programs and moving to a larger, more centrally-located home. As often happens, though, a great opportunity has come along and the group needs to raise a bundle of cash by July 24 to take advantage of it. ISSUE is one of two finalists
Read moreBeverly Sills, the All-American diva from Brooklyn, has died of cancer. Bubbles, as she was known to all, was a big lady with a big heart whose down-to-earth personality, talent and lifelong dedication to Lincoln Center made her a treasure for the city’s arts establishment. I never heard her sing live in her prime but there are those who swear her Lucia and Rosina were among the best. She was a hometown heroine who will be missed. UPDATE Steve Smith, Tim Page, Anthony Tommasini
Read moreThe Philharmonic Orchestra of the Americas concert at Rose Hall last night was one of those rare “what’s not to love” events that only occasionally grace New York stages. Take a program of thinking man’s bon bons (Gershwin’s Cuban Overture, Silvestre Revueltas’ Sensemayá, Ginastera’s barnburning Estancia), add a star turn by Latin music legend Paquito D’Rivera, and throw in an energetic and talented young orchestra led by a drop dead gorgeous conductor and you have a surefire receipe for fun. Many of the audience members came dressed for a post-concert gala which gave the evening a particularly elegant flair and provided a refreshing contrast
Read moreFor the past 27 years, the Mexican-born pianist and composer Max Lifchitz has been a tireless and resourceful promoter of new music (including his own) through live performances and recordings with the North/South Consonance Ensemble, the chamber group of the non-profit North/South Consonance organization. Many young composers, particularly those of the Neoclassic or New Romantic temperment (Larry Bell comes immediately to mind), have gotten a career boost from Lifchitz’s annual programs and recordings, which now number nearly 50. I mention all this because North/South Consonance’s final concert of the current season is coming up on Sunday afternoon June 17 at 3 PM and will
Read moreThe Composers Concordance is having a concert tomorrow night at 8PM at the Greenwich House Music School Renee Weiler Concert Hall, 46 Barrow Street which will star our very own Jeff Harrington. Okay, there are some other composers on the program, too, but none as adventuresome or all-round lovable as our favorite geek-composer. Paul Hoffmann will perform the New York premiere of Jeff’s brilliant Big Easy mashup, Blue Strider. You’ll find the full schedule for the program here.
Read more