Proms

Composers, Contemporary Classical, London, Proms

The Proms: British Pride (Finnissy, Ferneyhough, Birtwistle, Elias, et al.)

One of the most appealing and satisfying things about the Proms is the way that they support and showcase British composers. There are a number of commissions each year (a Proms commission is a sort of right of passage moment for up and coming composers), and not first performances of recent works as well. It is very surprising, and a just cause for sorrow and consternation, then, that the Proms Matinee on August 11 at Cadogan Hall, given by Britten Sinfonia, with soloists Nicolas Hodges, Susan Bickley, and Nicholas Daniel, conducted by Clark Rundell, was the occasion of the first

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Contemporary Classical, Festivals, London, Proms

Schnittke, Shostakovich and Nyman at the Proms

The Prom concert on August 24, by the London Symphony Orchestra and Chorus, conducted by Valery Gergiev, opened with Nagasaki by Alfred Schnittke, his graduation piece from the Moscow Conservatory. In this piece for chorus, solo mezzo-soprano, and large orchestra (including a theremin), Schnittke set texts reflecting on the devastation of the Japanese city by the atomic bomb at the end of the Second World War by Anatoly Sofronov, described in Calum MacDonald’s program notes as “the official Soviet propaganda poet”, along with poems by two Japanese poets, Eisaku Yoneda and Shimazaki Tōson. Although the piece was accepted by the

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Concerts, Contemporary Classical, Festivals, London, Proms

Philip Glass and Unsuk Chin at the Proms

In Live From Golgotha by Gore Vidal, St. Timothy — who is an old man, and by that time the keeper of the story of the early church — is visited by time travelers from the future who try to persuade him to change his story. When he refuses, they simply travel further back in time and change the events. At one point Timothy is perplexed because he thinks he remembers what happened but he isn’t sure, which isn’t surprising since the actually events and, consequentially, events after those events, have been changed. His past — what he remembers —

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Broadcast, Concerts, Contemporary Classical, Proms

Proms 2009, !

Yes, it’s Proms season again here in the UK/GB (see link for the differences.) The “worlds greatest music festival” kicks off on Friday and I thought I would put together a vaguely ‘contemporary’ programme for those so inclined. Included are composers who are still alive regardless of ‘style’, and a few 20th century composers I thought relevant (excuse my subjective and rather fuzzy criteria; Stravinsky and Bartók are included for instance, Debussy, Ravel and Shostakovich are not; feel free to berate me in the comments section.) All the concerts listed will be broadcast live on BBC Radio 3 and will

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Classical Music, Composers, Contemporary Classical, Proms

Some Proms

On Aug 9 The BBC National Orchestra of Wales, conducted by David Atherton, presented the first performance of …onyt agoraf y drws…(…unless I open the door…) by Welsh composer Guto Puw. The title of the piece refers to a Welsh saga in which, after suffering heavy losses in a battle with the Irish, and the death and beheading of Bedndigeidfran, his men, having been enchanted, return to Harlech and feast happily for seven years entertained by the singing of Rhiannon’s birds and cheerfully conversing with Bendigeidfran’s severed head, without any recollection of their past troubles. Eventually they move on to

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