Here’s the first in a series of interviews with composers who are premiering new works at the 10th Annual Outsound New Music Summit in San Francisco on Friday, July 22nd. The Friday night concert, entitled The Art of Composition, starts at 8 pm at the Community Music Center, 544 Capp Street, San Francisco. Tickets are available online from Brown Paper Tickets, and you can also buy them at the door. Listeners who don’t want to wait that long can get up close and personal with the composers, and learn about their creative process, at a free Monday night panel discussion at
Read moreOnce upon a time in 2000, there was a brand-new underground music collective in the San Francisco Bay Area, presenting a monthly concert series named “Static Illusion/Methodical Madness”. The SIMM series is still going strong today, and its parent organization, Outsound Presents, now additionally puts on the weekly Luggage Store Gallery concert series and the Outsound New Music Summit. Outsound acquired a Board of Directors and incorporated its bad self in 2009. Now with a 501(c)(3) IRS determination in hand, it’s a stalwart provider of experimental music, sound art, found sounds, improvisation, noise, musique concrete, minimalism, and any other kind of
Read moreOne of the most exciting areas for new music in recent years has been in the field of choral music. In the next two weeks, two choirs devoted to new music—one a veteran organization, the other an exciting, young rookie—will be presenting important programs of new choral works in both coasts. The rookie is Baltimore’s Anima Nova Chamber Choir, which will present a concert of works by Eric Whitacre, Tarik O’Regan, Michael Rickelston, Sean Doyle, and Anima Nova founder and director, Jake Runestad. The concert, at 7:30 p.m. on Sunday, May 8 at St. Ignatius Church, 740 North Calvert Street
Read moreThe San Francisco Bay Area is home to a sizable community of sound artists, instrument inventors, and intonation innovators who spend all their time developing original and never-before-heard ways of relating to music and sound. The local scene got a big national nod in 2008 when Walter Kitundu got the mysterious and exhilarating phone call and windfall that is the MacArthur Fellowship. With such a lively local pool of talent, it’s natural that it has its own festival — Music for People and Thingamajigs — celebrating its 14th year from September 22nd to 25th, 2011. Edward Schocker and Dylan Bolles
Read moreThis Sunday, April 3rd, 2-10pm, the Switchboard Music Festival will present their fourth annual 8-hour music marathon at the Brava Theater in San Francisco (a new venue to accommodate the overflowing crowd they had at last year’s sold out event!). Switchboard’s goal is to bring together bands, composers, and other musicians whose work combines genres in interesting, organic ways. They place a special emphasis on music from the Bay Area, but always with an eye on the larger scene and bring in at least a few out-of-towners. This year’s festival features up-and-coming indie band Birds & Batteries, fresh off a
Read more[The latest iteration of the always-stellar Other Minds festival is now done and in the books. We asked our equally-stellar Bay Area musician friend Tom Djll if he’d like to cover a bit of it for us, and he happily sent along his impressions of the second and third concert evenings.] Other Minds 16 Jewish Community Center, San Francisco Concert Two, Friday, March 4, 2011 There’s a shard of spotlight on my shoulder. A music stand hovers off the sphere of peripheral vision; under it, the shadow of fingers curl like the violin scroll toward which they crawl, spiderish. The
Read moreMusic is as much of a time art as reading or looking at pictures because its subject, as John Ashbery once said about poetry, is always somehow about time. And composers, like writers, whether consciously or not, are always playing a game with time. A long piece can sound short, and a short one, long. Time can seem heavy, as in Dostoevksy, or Wagner, or light as in Proust, or Earle Brown. The four pieces on sfsound‘s most recent concert at The San Francisco Conservatory of Music’s elegant hall managed to be about all these things at once. Anton Webern‘s
Read moreWhen the 2010 Composer Collaboration Awards call for proposals went out on May 10, 2010, music presenters, ensembles, and composers all over the San Francisco Bay Area called, paged, and emailed one another, then got together to put their dream projects down on paper in time for the deadline. Today the staff and Boards of six organizations, their chosen composers, and their artistic collaborators are popping champagne corks and dancing around their offices. They’ve received $75,000 each from the Wallace Alexander Gerbode Foundation and the William and Flora Hewlett Foundation, to make six world premieres. Cabrillo Festival of Contemporary Music
Read moreThe Paul Dresher Ensemble’s Electro-Acoustic Band will be performing this coming Friday and Saturday (Nov. 12-13) at the ODC Theater in San Francisco. More information and tickets can be found here. The full program is below and features two world premieres, one of which is by Ryan Brown. I was able to talk with Ryan and Paul separately on the phone about this new piece. You can listen to a recording of their phone calls spliced together here. Gangbusters – Ryan Brown (world premiere) For Joe Z – Bruce Pennycook (world premiere) Chromatic Quadrachord – Paul Dresher (concert music premiere)
Read moreI first heard about the Long Now Foundation a couple years ago from friend and former bandmate Daniel Magazin. I remember visiting their web site and thinking that San Francisco was the perfect place for such an entity. “The Long Now Foundation hopes to provide counterpoint to today’s “faster/cheaper” mind set and promote “slower/better” thinking,” the web site declares. “We hope to creatively foster responsibility in the framework of the next 10,000 years.” Such a perspective seems custom-made to partner with the minimalist and conceptual streams of contemporary music. UK-based artist, musician, and composer Jem Finer thought so too. He
Read more