Sequenza21

Composers, Concerts, Contemporary Classical, Electro-Acoustic, Orchestral, Orchestras, San Francisco

SF Symphony serves up Mason Bates world premiere

[Ed. note: Polly Moller is not just busy telling you about concerts like the one below — while she’s out there pushing for the other guy, I want to mention the she herself has what looks like a great gig, with Pamela Z and Jane Rigler, May 17th at the Royce Gallery, 2901 Mariposa Street (between Harrison & Alabama), SF. tickets are $10, and you can see more here. Go, Polly! …OK, on with the show…] Sequenza21 readers are a quirky and unpredictable bunch. But I’m willing to bet that any of them who show up on Wednesday, May 20,

May 11, 2009May 12, 2009 by Polly Moller

CDs, Chamber Music, Composers, Contemporary Classical, Other Minds, Recordings

Between the Rocking Cradles

Given the rarity of records and performances of the music of Marc Blitzstein (1905-1964) through the 1970s, my first encounters with him were like everyone else: references in the “populist music of the 30s and 40s” section of 20th-century history books, and as arranger of the American version of Kurt Weill’s Threepenny Opera that we all knew from the old (& wonderful) original-cast recording. Works such as his iconic The Cradle will Rock and Airborne Symphony were still talked about, but quite hard to track down and hear. It wasn’t until the mid-80s that revivals and reassesments began, with good

May 10, 2009May 10, 2009 by Steve Layton

Chicago, Concerts, Contemporary Classical, Percussion, Performers

These Windy City Kids Are Wicked Good

Since 1995 Chicago’s Percussion Scholarship Program has been shaping all kinds of mallet-whackers from grades 3 through 12. The program, under the direction of CSO percussionist Patricia Dash and Douglas Waddell, percussionist with Lyric Opera of Chicago, with amazing direction and arrangements by Cliff Colnot, has been growing something phenomenal. The kids’ musicianship and commitment seems to me every bit as stunning as Dudamel’s Venezuelan El Sistema stuff everybody’s been going gaga over. Don’t believe me? Just take in our young crew’s monster ride through Colnot’s arrangement of Dimitri Shostakovich’s 10th Symphony: [youtube]http://www.youtube.com/watch?v=32W2IBkVqUk[/youtube] Incredible. The group’s big spring concert is

May 8, 2009May 8, 2009 by Steve Layton

Chamber Music, Classical Music, Concerts, Contemporary Classical, File Under?

Sunday and Monday: Donald Hall at Works and Process

Works & Process celebrates Donald Hall this weekend. The 14th U.S. Poet Laureate will read and discuss his work. New musical settings of Hall’s poetry by Drew Baker, George Lewis, David Del Tredici, Joshua Schmidt and Charles Wuorinen are performed for the first time. Performers include a host of New York’s finest: Mary Nessinger, Tom Meglioranza, Lauren Flanigan, Judith Bettina, James Goldsworthy, Moran Katze, Fred Sherry, Peter Kolkay, David Del Tredici, and Lois Martin. Musical Premieres – settings of Donald Hall (Works & Process Commission) DREW BAKER: THE SEA (mezzo-soprano & cello) DAVID DEL TREDICI: THE POEM &THE MASTER (soprano &

May 8, 2009May 8, 2009 by Christian Carey

Chamber Music, Concerts, Contemporary Classical, San Francisco

All living composers, all the time

Or at least it sure seems that way, when you’re dealing with the Del Sol String Quartet. San Francisco’s longtime champions of new music have a drool-worthy concert on tap for this Friday, May 8th, entitled Mestizaje. Of the four contemporary quartets scheduled for the evening, three are new pieces written for Del Sol, and two are world premieres. Drool away: Tania León (b. 1943, Cuba): [String Quartet No. 1] (2009, world premiere) Paul Yeon Lee (b. 1970, Korea): “Ari, Ari… ari” (2009, world premiere) Philip Glass (b. 1937): String Quartet No. 5 (1991) Linda Catlin Smith (b. 1957, USA): “Gondola” (String Quartet

May 7, 2009May 7, 2009 by Polly Moller

Chamber Music, Composers, Contemporary Classical, File Under?, Orchestral, Orchestras, Performers

Review — S.E.M. Excitment at Tully

Music by Wolff, Sciarrino, Kotik, Carter, and Ligeti / Orchestra of the S.E.M. Ensemble, Ostravská Banda, FLUX Quartet; Petr Kotik, Conductor /Alice Tully Hall, May 6, 2009 Conductor/composer Petr Kotik has been an impressive advocate for contemporary music in New York for forty years. Residing in the US since 1969, he has been running the S.E.M. ensemble since 1970: performing a wide range of repertoire, commissioning works and cultivating successive generations of young players into seasoned new music performers. S.E.M.’s orchestral unit has been active since ’92; Kotik’s also been running Ostravská Banda, an international chamber orchestra comprised of S.E.M.

May 7, 2009May 7, 2009 by Christian Carey

Big Band, CDs, Concerts, Downtown, New Amsterdam, New York

Not-So-Secret Society

You can only keep a secret society secret so long, and with our old S21 pal Darcy James Argue‘s new CD release that time has come. Infernal Machines is out now on New Amsterdam Records, and to celebrate the kick-off DJA’s Secret Society will be performing the music from the CD Friday at Galapagos Arts Space (16 Main St. @ Water St., Brooklyn / Door – 9pm, Show – 10pm, $10). Troy Collins advance-reviewed it at AllAboutJazz.com: Drawing inspiration from classic stalwarts like the Thad Jones-Mel Lewis Orchestra as well as pioneering post-rock bands like Explosions In The Sky and

May 7, 2009 by Steve Layton

Chamber Music, Contemporary Classical, San Francisco

ADORNO Ensemble takes on student work

When I was an undergrad at San Francisco State University in the late 1980s, we didn’t have a new music ensemble-in-residence. Like many music majors then and now, we relied on our fellow students to perform our pieces, and didn’t have a professional-level new music group serving as role models on campus. All that has since changed, and the SFSU School of Music and Dance has the ADORNO Ensemble to take this challenge on. The group has spent the last few years impressing local audiences and getting cordial reviews, including this one from San Jose Mercury News music critic Richard

May 6, 2009May 6, 2009 by Polly Moller

Contemporary Classical, Housekeeping, Online

Many hands (and ears) make light work

Being an all-volunteer gig, Sequenza 21 has always relied on a cast of characters — almost all musicians themselves — that lend a hand as they can, but often end up caught in a whirl of other demands. And because based in NYC, there are times when it gets just a little too easy to report on all the events happening around the city, and get a little sidetracked about keeping tabs on so many wonderful musicians and concerts elsewhere in this country and beyond. So every once in a while the call goes out to some of the many

May 6, 2009May 6, 2009 by Steve Layton

Composers, Concerts, Contemporary Classical

Thanks for All the Fish

As stated in Oberlin College’s ‘Oberwiki’: “…to enter you needed to take a sugar pill with a dot on it…and you rolled the dice, cause 1/3 of the dots were LSD…” Yep, that’s our (currently) eldest composition teacher speaking of Oberlin’s glory days when he was but a wee lad out of grad school. Randy Coleman is many things, best summed up as “a real post-modern feminist old-time patriarch from Virginia.” He is most feared for his red pen marks on freshperson’s melody assignments and for the fabled “piece-per-day” routine with private students. His music contains much variety, with each

May 4, 2009May 4, 2009 by Steve Layton