Gavin Borchert, composer and the Seattle Weekly‘s classical music critic, has an interesting take in this week’s rag, on current calls for jazzing-up or otherwise “slumming” the concert experience. A couple cogent paragraphs: A couple of things puzzle me. First, the classical concert experience is, in all essentials, identical to that of dance, theater, literary events, or for that matter—barring the munching of popcorn and cheering the fireball deaths of villains—movies. Go to the performance space, buy a ticket, sit down in rows, watch and listen, try not to disturb your fellow audience members. Yet it’s only in conjunction with concerts
Read moreDon’t know what’s happening on PBS in your town tonight, but here in the center of the universe, Channel 13 is bringing us Kurt Weill’s brilliant (and somewhat depressing for the Christmas season) “The Rise and Fall of the City of Mahagonny.” Great cast includes Audra McDonald, Patti LuPone, John Doyle, and Anthony Dean Griffey. Check your local listings.
Read morePaul Dirmeikis attended Stockhausen’s funeral on December 13, and has a report. The family is already starting to slowly walk away. Some of us stay around the tomb, scattered between the neighbour tombs. Near the larger alley going down to the chapel, all members of Stockhausen’s family gathered together in a circle, holding their hands. Simon reads something. It’s around 4 pm. That’s it. One of the greatest composers of these last 50 years has just been buried. It’s a freezing afternoon in a distant German village. Fermata.
Read moreThe New York Times leads off its Sunday Arts Section tomorrow with one of those double-bylined investigative reports that spell trouble for somebody. It appears that all is not well with the Seattle Symphony. The article is not up online yet but here’s the lede: Any dictionary will tell you that a symphony orchestra trades in harmony. Anyone who has spent much time around orchestras will tell you that the harmony often stops at the music’s edge; that tensions abound in a body of 100 or so high-strung thoroughbreds as a music director seeks to impose a single vision. And
Read morePassed on by Carson Cooman: The American composer Robert Moevs died Monday evening, December 10, 2007 at age 87. Born in La Crosse, Wisconsin on December 2, 1920, Moevs studied at Harvard University (BA, 1942). He entered the US Air Force and served as a pilot. He resumed his musical studies at the Paris Conservatoire (1947–51) and then at Harvard (MA, 1952); his principal teachers were Walter Piston and Nadia Boulanger. For the next three years he was at the American Academy in Rome as a Rome Prize Fellow. An inspiring teacher, Moevs served on the faculty at Harvard (1955–63)
Read moreOur gaucho amigo Marvin Rosen is the most innovative and knowledgeable music programmer in the universe but who knew that he aspired to become the new music world’s Jerry Lewis? Marvin is hosting a special 24-hour marathon edition of his terrific radio program Classical Discoveries titled “Viva 21st century,” which will air on WPRB out of Princeton, NJ beginning at 6:00 pm on Thursday, December 27 and will conclude at 6:00 pm on Friday, December 28. Sympathizers and fellow travelers who don’t live in the Princeton area can listen to the show online at www.wprb.com The program includes works from only
Read moreI was late getting to the Times today and just noticed that Andrew Imbrie has died. Joshua Kosman’s obituary is here. Robert P. Commanday remembers him here. Imbrie wasn’t nearly as spectacular or well-known a musical figure as Stockhausen but through his prolific and quietly impeccable body of work, his teaching, and his singular, unique voice, he may have been just as influential. You can listen to his magnificent Requiem, written in 1984 after the death of his son, free at Art of the States. I’m listening to it now.
Read moreEmerging from Elliott Carter’s “What Next?” for me paralleled uncannily the experience of the characters onstage, all of whom have just endured “some kind of accident” whose significance and impact, however powerful, remain baffling. Details from the libretto and the set design suggest a multi-car collision has occured, and, amid the wreckage, the victims intermittently soliloquize about their plight and attempt to comfort each other, though all — physically, at least — are unhurt. But an absurd, profound interpersonal disconnect ultimately predominates, and the opera ends with a pair of oddly fastidious road workers who, after they clear the debris,
Read morerecieved at the Canadian Eletroacoustic mail-list: PRESS RELEASE The composer Karlheinz Stockhausen passed away on December 5th 2007 at his home in Kuerten-Kettenberg and will be buried in the Waldfriedhof (forest cemetery) in Kuerten. He composed 362 individually performable works. The works which were composed until 1969 are published by Universal Edition in Vienna, and all works since then are published by the Stockhausen-Verlag. Numerous texts by Stockhausen and about his works have been published by the Stockhausen Foundation for Music. Suzanne Stephens and Kathinka Pasveer, who have performed many of his works and, together with him, have taken care of
Read moreThe great American Musicologist H. Wiley Hitchcock died early on Wednesday morning (December 5, 2007) after a long illness. Hitchcock started his career in musicology studying French and Italian Baroque music, and then transitioned into American music, editing the New Grove Dictionary of American Music and a series of 11 textbooks (writing the volume on American music himself), and publishing extensively on Charles Ives. He served as director of the American Musicological Society from 1990 to 1992, and spent most of his career teaching at Brooklyn College. Frank Oteri interviewed him for NewMusicBox in 2002, and at the end of the interview he
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