Contemporary Classical

Dudamel and the LA Phil on radio

On Sunday, April 27, KUSC will broadcast (and stream on the internet) the program with Dudamel conducting the L.A. Philharmonic.  It was an exciting performance, and I hope that comes across when broadcast.  For those of you in the center of the known universe the broadcast will begin at 7:00 pm.  For those of us in more adventurous climes, it begins at 4.  The program is Dances of Galanta by Kodaly, the Rachmaninoff Third Concerto with Bronfman, and Bartok’s Concerto for Orchestra.  That’s on KUSC, with links for PC, Mac, and iTunes.  And do try to see and hear the Viola/Salonen

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Chamber Music, Click Picks, Concerts, Contemporary Classical

NEW Mexico comes to NYC

In my Click Pick #16 I introduced you to the young Mexican contemporary scene. I just recived a note from one of the musicians profiled, flutist/composer Wilfrido Terrazas, that I’ll pass along: Friday, May 4, 2007 at 7PM Wilfrido Terrazas, flutist New Mexican Works for Flute Free Admission Americas Society 680 Park Avenue New York, NY This concert, organized in collaboration with ICE (International Contemporary Ensemble), is part of a project during which the flutist has collaborated with some of Mexico’s most daring and original composers in pieces that explore novel ways of writing for his instrument. The concert will

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Contemporary Classical

Lost and Found

Harry Somers A Midwinter Night’s Dream Canadian Music Centre 12306 Any one considering an opera suitable for young people may want to consider Harry Somers’ A Midwinter Night’s Dream. The story takes place in very-north America, near the Artic circle, and tells the story of a bored young man who slips into a dream, thinking he is dead. The libretto, by Tim Wynne-Jones, shows a fusion of cultures, combining folklore and present-day ideas (like Star Wars and Miami Vice). The score is atmospheric. Using a piano and percussion, along with a children’s chorus, the textures move the text (and I

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Click Picks, Composers, Contemporary Classical, Uncategorized

Steve’s click picks #27

…Will just have to wait… Since, in just a little over a week, this nearly-lifelong Northwesterner will have left Seattle and be stumbling around our new home: Yep, Houston, Texas! My wife has an incredibly sweet job waiting at the Houston Chronicle, and I’m happy to play Mister tag-along. As to music, I’ve done the “virtual” scope-out of the big and small institutions, ensembles, and universities. You all know me, though; I’ll be poking around in the cracks, looking for the really interesting folk. As to its out-of-the-way “podunkiness”, I might have to remind a few of you that while you were distracted

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ACO, Classical Music, Contemporary Classical, Film Music, Music Events, New York

Minimalist Friday

It’s minimalist week in the Center of the Universe, highlighted on Friday night by the John Adams 60th birthday concert at Carnegie Hall.  Adams will be conducting the American Composers Orchestra in performances of My Father Knew Charles Ives, The Wound-Dresser (with bass-baritone Eric Owens) and the Violin Concerto, with Leila Josefowicz doing the honors.  Meanwhile, also on Friday, in a nearby universe, Michael Riesman, Music Director of the Philip Glass Ensemble and concert pianist, will be performing the world premiere of his marvelous new transcription for solo piano of Glass’ score to the 1931 classic horror film, Dracula.  The gothic walls of the Orensanz

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Contemporary Classical

Mystery of pioneering black conductor

Rudolph Dunbar (right), who died in 1988, was the first black musician to conduct the Berlin and London Philharmonic Orchestras, he wrote a best selling book on the clarinet, was an acclaimed jazz musician, and a contemporary composer. Yet today he isn’t even mentioned in the standard music reference books, and is only remembered as a black activist – why? Read about the mystery of Rudolph Dunbar over On An Overgrown Path.   Photo – University of Massachusetts 

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Contemporary Classical

Monday Miscellany

Starting Wednesday night, the ICE is going to be all over town like it’s no one else’s business. Among the considerable damage they’re rendering is our own Evan Johnson’s piece Supplement for clarinet and electronics. Gareth Davis will be doing the honors at Rosenberg+Kaufman Fine Art this Friday. The folks at Linked Musicians have been recognized as an “Official Honouree” by the “Webby” awards. Membership to Linked Musicians, which is free, enables you to find jobs, bands, and just generally link up with others dedicated to live music.  And they tell me a Webby is a big deal.  So —

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Bang on a Can, Classical Music, Composers, Contemporary Classical, Music Events

A Scream Grows in Brooklyn

It seems somehow fitting after a week of inexplicable madness that Julia Wolfe’s My Beautiful Scream will get its New York premiere tomorrow night when the Kronos Quartet joins the Brooklyn Philharmonic for a concert called Kronos+Cosmos.  Wolfe describes My Beautiful Scream as a kind of  non-concerto for string quartet. The work is a gradual unfolding and unraveling of a slow motion scream: the quartet aspect of the music is quiet and fine while the orchestra aspect is violent and menacing. Co-commissioned by the Orchestre Philharmoniue de Radio France, the Basel Sinfonietta, and the Brooklyn Philharmonic, My Beautiful Scream was originally premiered in February

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