Anthony Tommasini here. Manuela Hoelterhoff here. An Unamplified Voice here. Maury D’annato here. Jonathan at Wellsung. AP here.
Read moreThe Russian composer Galina Ustvoskaya died yesterday. Alex Ross has the details and the (appropriately) terse, German notice from her publisher, Sikorski. I don’t have time now to write much about Ustvolskaya’s music, but my encounter with it was one of the determining events of my own musical evolution, and I still can’t quite believe that I performed all six of her piano sonatas spaced out during an all-night new music marathon concert as an undergraduate. (By the time I got to the last of them, round about 4 AM, I was pretty spaced out myself.) If you don’t have
Read moreWell, you’re too late for the $550 Center Parterre Premium seats or the $350 Orchestra Premium seats for tonight’s premiere of Tan Dun’s The First Emperor at the Met but if you hurry it looks like you can still grab one of the bargain $250 orchestra seats. (I have a couple of mere $80 seats in the alpine section later.) In the meantime, us poor people can read about the Mr. Tan’s opera foo young in the Met blog or perhaps lurk at the stage door for a glimpse of Placido Domingo or Elizabeth Futral or maybe even the great film director Zhang Yimou (To Live,
Read more‘Twas the night before Christmas, when all through the city The critics were trying their best to be witty; They printed their lists of the past year’s best fare, In hopes that their trendy young readers would care; But the readers were nestled all snug in their beds, While vacuous pop idols danced in their heads; And the Maestro in PJs, and I in my drawers, Had just settled in to examine some scores, When out on the lawn, such cacaphonous sound, I sprang from my desk thinking Zorn was in town.
Read moreA while back, Stephen Colbert made fun of John Zorn on the Colbert Report, and I’m pleased to report that tonight he referred, if not by name, to La Monte Young. At the beginning of a segment on Art, he talked about feeding hay to a piano, which as you know clearly refers to Young’s 1960 piece “Piano Piece for David Tudor #1.” The piece is one of several text instruction pieces from 1960 and its instructions read: “Bring a bale of hay and a bucket of water onto the stage for the piano to eat and drink. The performer may
Read moreHere’s an obituary written by Carson Cooman. American composer Daniel Pinkham passed away on the morning of December 18, 2006 in Natick, Massachusetts, USA after a brief illness. Pinkham, one of America’s most active and well-known composers of music for the church, was born in Lynn, Massachusetts, USA on June 5, 1923. He studied at Harvard University and Tanglewood with Walter Piston, Aaron Copland, Samuel Barber, Arthur Honneger, and Nadia Boulanger. As an organist and harpsichord he studied with Wanda Landowska and E. Power Biggs. For over forty years, Pinkham was music director at Boston’s historic King’s Chapel, where he
Read moreTom Jackson over at Modernclassical writes: Donald Rosenberg, the classical music critic and correspondent for the Cleveland Plain Dealer, gets the cover of the arts section Sunday with a primer on classical music, an article about the “beloved staples” which form the foundation of classical music. The headline graphic lists the usual suspects — Tchaikovsky, Beethoven, Mozart, Bach. The big shock is when you turn the page and see a huge graphic accompanying the article listing Rosenberg’s picks for a representative sampling of the repertoire. Rosenberg lists just three works from the Baroque period and only four from the Classical
Read moreStanley moved suddenly, sitting up as though to break a spell. He sat rigid on the edge of the bed, clenching his teeth as though to discipline the activity of his mind, which he could hardly stir during the day when he tried to work. How could Bach have accomplished all that he did? and Palestrina? the Gabrielis? and what of the organ concerti of Corelli? Those were the men whose work he admired beyond all else in this life, for they had touched the origins of design with recognition. And how? with music written for the Church. Not written
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