On the Friday before Thanksgiving, the Argento Chamber Ensemble took the audience at Symphony Space on a little transatlantic trip with an evening featuring four contemporary French composers: Fabien Levy, Gérard Pesson, Tristan Murail, and Philippe Hurel. Of course for many readers, the phrase ‘contemporary French composers’ will evoke one word (especially with Murail being one of the composers in question) – spectralism. For those of you how aren’t familiar with the term, spectralism is an approach to composition that arises from the analysis of the partials of a particular sound or sounds (its spectrum). How this information relates to
Read moreIn Ohio over Thanksgiving, I was happy to discover a small pile of mail from Manhattan School of Music: it’s about time they decided to keep in touch with their alumni. Anyway, browsing the school’s new newsletter, I was pleased to learn they’ve just established a new Masters program in Contemporary Performance. This, of course, should come as no surprise now that a composer’s in charge up there. The requirements include playing four semesters with Tactus, MSM’s increasingly hot contemporary music ensemble; lots of reading of works by student composers; and plenty of instruction in performing with electronics. All in
Read moreThe Can Banger All-Stars are playing Zankel Hall on Tuesday, December 5, beginning at 7:30 pm, in a program called American UnPop What is American UnPop? This is how Evan Ziporyn, clarinetist for the Bang on a Can All-Stars, describes it: “Vox populi, vox pop, the voice of the people, or rather the voices of many different peoples, filtered through radio, record companies, market testing and the iTunes…pop culture is today synonymous with corporate culture, but it doesn’t have to be that way. The music industry may be a nightmare, but the sound of pop music, in the broader sense, is
Read moreAs part of his residency with the Los Angeles Philharmonic, Thomas Ades was given a Green Umbrella concert, his choice of music, and his choice of role. Ades chose to conduct, and for music he chose “The Triumph of Beauty and Deceit” (1995) by Gerald Barry. This was originally written for British television and broadcast by Channel 4; as artistic director of the Aldeburgh Festival, Ades brought it back to open the 2002 festival, and it has began receiving performances since then, with performances scheduled for Paris and Amsterdam next year. Last night’s performance was the North American premiere. “Triumph”
Read moreIt’s awfully quiet out there. What are you folks up to? I’m off to lunch at a nice bistro called Le Singe Vert. Why don’t you talk amonst yourselves for awhile. Somebody say something controversial, like why has Derek Bermel become the kingmaker in new music in New York and should he be? I have no opinion, of course, but maybe some of you do.
Read moreThe International Society of Bassists wanted a new concerto for their favorite instrument, and they wanted orchestras to play the work rather than merely filing its name in the list of new works that they might think about some future year. With help of their members they formed a consortium of 15 orchestras to back the work, enabling each participating orchestra to list themselves as a co-commissioner, giving each a “premiere” (even if merely a local one) at a bargain price. John Harbison was commissioned to write the concerto, and yesterday the Los Angeles Philharmonic performed his “Concerto for Bass Viol
Read moreFans of old-timey and bluegrass music are in for a rare treat on Monday night when the legendary and seldom seen York brothers–Fiddlin’ Frank and Mandola Joe–bring their String Messengers to the Cornelia Street Café in a Schizoid Music program devoted to Harry Smith’s Anthology of American Folk Music, an indispensible compendium of ballads, blues, hymns and dance tunes from the days of the Great Depression. The Yorks will be joined by their extended family of Jeff York (slide guitar), Jon York (vye-o-la), Sharon (harmony vocals) and Pete York (harmony vocals and guitar), Ratzo B. York (bass), and Jim Murphy (guitar, vocals and string
Read moreOur weekly listen and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online. (The “click picks” category at the bottom of this post isn’t working, but you can revisit all the previous “click picks” by clicking this link: https://www.sequenza21.com/index.php/?cat=29) Soteria Bell (AU) From Australia’s Time Off newspaper: If you’ve seen the latest Ray Lawrence flick Jindabyne, no doubt you’ve been entranced by the ethereal soundtrack. Written by Paul Kelly and Dan Luscombe, Kelly hand
Read moreName all the people in this photo and win a turkey. (Thanks to Steve Layton for the Last Supper treatment.)
Read moreThe brilliant and talented piano and TabletPC genuis Hugh Sung has a terrific post about the Sequenza21 concert where he was a star performer. Hugh is also one of the nicest people alive. Kyle Gann, who drove two hours down and two hours back to Bard for the concert, has some nice words about the concert here. Kyle turned 37 yesterday. Our congratulations to regular Darcy James Argue who is one of the 29 recipients of the latest round of the American Music Center’s Composer Assistance Program (CAP). The complete list is here. Altman was one of the best. Update: Speaking of
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