“Blue” Gene Tyranny Degrees of Freedom Found Unseen Worlds 6XCD boxed set/digital Composer and pianist “Blue” Gene Tyranny passed away in December 2020 of complications due to diabetes. The boxed set Degrees of Freedom Found, a generous six-CD compilation of tracks from 1963-2019, was already in the works and contains liner notes by Tyranny. Thus, it is an endorsed release rather than a posthumous archival grab. He was associated with a number of prominent musicians, Robert Ashley, Carla Bley, Bill Dixon, and Iggy Pop, whom he joined on an early tour of the Stooges. Most viewed him as
Read moreThis past weekend, Kosmologia Interdisciplinary Ensemble premiered a multimedia work, Dreaming/Undreaming, at the Princeton Festival. The piece combines dance, video art, and piano music by J.S. Bach and the ensemble’s artistic director Carmen-Helena Téllez. Here is the trailer. When I learned that it was inspired by two short stories of Jorge Luis Borges, “The Library of Babel” and “The Aleph,” the project piqued my interest. The juxtaposition of Bach with Téllez’s more atmospheric compositions is an intriguing way to underscore the work’s two sources. The two strands of identity allow dancer Alexa Capareda to create two “characters” with distinct movement identities. Pianist Natasha Stojanovska plays assuredly. Her Bach is “old school” in terms
Read moreSergio Merce En lugar de pensar (Instead of thinking) Wandelweiser CD “The name of the album is about this feeling that I have. I believe that playing music is a non-cerebral thought form; thought in the sense of being a channel to see, to reveal, a channel that opens through intuition, observation and attention but not through thinking.” Argentinian composer Sergio Merce frequently records at home, but the results aren’t rough hewn as a result. Employing a microtonal saxophone of his own design, synthesizer, and an electronic wind instrument, Merce creates music that encompasses drones, layered sine waves,
Read moreChaya Czernowin Heart Chamber Naxos DVD Patrizia Ciofi, soprano; Dietrich Henschel, baritone; Noa Frenkel, contralto; Terry Wey, countertenor; Frauke Aulbert, vocal artist Deutsche Oper Berlin, Johannes Kalitzke, conductor Chaya Czernowin’s opera Heart Chamber deals with the emotional journey involved in navigating a relationship. It does so with large-scale forces; in addition to vocal soloists, a substantial orchestra, a chorus and chamber ensemble placed on the sides of the stage, and surround electronics. Because this is a love story that is not without its travails, and the interior lives and subconscious feelings and fears of the characters are so potent,
Read moreCongratulations to Tania León for being awarded the 2021 Pulitzer Prize in Music for her work Stride. The piece was commissioned and premiered by the New York Philharmonic as part of its Project 19 initiative, which marked the centenary of the 19th amendment with nineteen commissions from female composers. The Oregon Symphony shared in the commissioning of Stride. Below is a rehearsal of Stride. You can hear the whole thing by heading over to NYPhil+ (paywall).
Read moreBrian Ferneyhough Complete Piano Music Ian Pace, piano (Ben Smith, piano on Sonata for Two Pianos) Metier CD Marc Yeats The Anatomy of Melancholy Ian Pace, piano Prima Facie CD Ian Pace is one of the finest interpreters of complex contemporary music currently active. Two recent recordings of music by British composers of exquisitely intricate scores – Brian Ferneyhough and Marc Yeats – serve to further cement his reputation as the go-to artist for this repertoire. Brian Ferneyhough studied with Klaus Huber and others, but a great deal of his early work in the 1960s consisted of
Read more(All photos by Brian Smale) Composer and holistic sound artist Matthew Bennett has created some of the most intuitively experienced sonorities that you might never have thought to trace to their origins. As the former director of the Sound + Sensory Design Program at Microsoft, where he was still employed at the time of this interview, he endeavored to render the Microsoft soundscape as a community of audible signatures. His innovations transformed Windows into a tactile user experience in which vibration became substantive. Since then, he has established Acoustic Ecology to expand his aural vision to the tech industry at
Read moreJames Primosch, a dear friend and colleague of mine and one of the finest composers of his generation, passed away on April 26, 2021 at age 64, from complications of pancreatic cancer. Jim was born in 1956 in Cleveland, OH. He studied at Cleveland State University, the University of Pennsylvania (where he joined the composition faculty in 1988), and Columbia University. His principal teachers included Mario Davidovsky, George Crumb, and Richard Wernick. Among the many awards and honors Jim garnered over the years are prizes from the American Academy of Arts and Letters, a Guggenheim Fellowship, a grant from the
Read moreThe {greyfade} recording label has recently released From the Machine Vol. 1, a new digital and vinyl album of contemporary music composed entirely by software employing “…algorithmic processes, generative systems and indetermancy.” A collaboration between Kenneth Kirschner and Joseph Branciforte, the two tracks of this album were composed by computer but performed by conventional acoustic ensembles. This combination of digital composition and traditional performance brings the human touch to music that would otherwise be realized by strictly electronic means. From the Machine Vol. 1 attempts to join the creative efforts of computer-based composition with expressive performance by skilled musicians. Kenneth
Read moreGunnar Andreas Kristinsson Moonbow Sono Luminus CD Caput Ensemble Icelandic composer Gunnar Andreas Kristinsson’s second CD, Moonbow, presents a selection of pieces written during the past decade for sinfonietta and chamber forces. Clarinetist Ingólfur Vilhjálmsson joins Caput Ensemble, conducted by Guðni Franzson, in Sisyphos. Written in 2014, this is the composer’s most acclaimed piece, and one can readily hear why. Based on the mythological tale of the title character ceaselessly rolling a boulder up a hill as punishment in Hades, the concerto features eruptive outbursts, virtuoso solo turns, a middle section of minimal repetitions, and a closing danse macabre.
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