Tag: Boosey

Chamber Music, Deaths, File Under?

Kronos remembers Gorecki

Some of Henryk Gorecki’s closest collaborators were the members of the Kronos Quartet. He composed all three of his string quartets for Kronos. As it happens, when the composer passed away yesterday, the group was in Poland. Late yesterday, David Harrington, Kronos’ first violinist, released the following statement: “The three string quartets Henryk Górecki wrote for Kronos are a totally unique body of work. With ‘Already it is Dusk’, Quasi Una Fantasia’ and ‘…songs are sung’, Górecki extended a tradition that includes Bach and Beethoven, among many others. When we rehearsed with Henryk, the experience was as close as we

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Composers, Deaths, File Under?

RIP Henryk Gorecki (1933-2010)

Polish composer Henryk Gorecki died today at the age of 76. Gorecki was one of Poland’s most prominent musical figures and, along with Estonian composer Arvo Pärt and Englishman John Tavener, is widely credited with popularizing the “spiritual minimalism” strain of Postmodern era European music. He is perhaps best known for his Symphony no. 3, Symphony of Sorrowful Songs (1976). Fifteen years after its premiere, a Nonesuch CD recording of the work, featuring soprano Dawn Upshaw and conducted by David Zinman, became a best-seller in 1992, breaking into the mainstream charts in the UK and dominating US classical sales during that

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Composers, Contemporary Classical, File Under?, Opera

Guest Blogger: Oscar Bettison

Composer Oscar Bettison sent along this report about student opera performances in Baltimore, Maryland. Opera Etudes at Peabody Every other year at Peabody, the month of May means one thing for the composition and opera departments: ‘Opera Etudes.’ This project, which has been running for twenty-five years under the guidance of the Director of Opera Programs Roger Brunyate, is a year-long collaboration between graduate composition students and the opera department. Starting in the fall, composers are paired with librettists and singers to work on the creation of short staged opera scenes. These are then fully staged in Friedberg Hall, the

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Commissions, Composers, Contemporary Classical, File Under?, Minimalism

New Sounds Live

I really enjoyed Q2’s broadcast tonight of New Sounds Live, a concert at Merkin Hall by the Bang on a Can All Stars that featured works by Nik Bartsch, Oscar Bettison, Christine Southworth, Michael Nyman, and David Longstreth. The first in a hopefully ongoing series of collaborations between Q2 and Merkin Hall, it was also a featured event in this week’s Composers Now festival. I particularly enjoyed the Bettison work, The Afflicted Girl, in part because it’s quite affecting; but it also helps that I was able to study in advance and follow along with a perusal score sent over by

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CDs, Composers, Contemporary Classical, Opera

Dr. Atomic as Opera or Symphony?

Many people are still talking about the New York production of John Adams’ latest opera, Dr. Atomic. But Adams wasn’t through with the material after its stage presentation. Nonesuch recently released a symphonic version of music from Dr. Atomic; Dr. Atomic Symphony is paired with Guide to Strange Places on the CD. There’s also a DVD release of the opera, in its Netherlands production, available on Opus Arte. Sequenza 21 readers: How do you prefer Dr. Atomic, in its operatic or symphonic incarnation? The comments section is open for feedback.

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Awards, Classical Music, Contemporary Classical, File Under?

York Höller wins 2010 Grawemeyer

It’s hard enough delivering an orchestra commission when you’re hale and hearty; but despite losing most of his vision during the course of its lengthy gestation (2001-06) York Höller managed to complete his work Sphären. His efforts amidst considerable adversity have garnered him the 2010 Grawemeyer Award. Although now almost completely blind, Höller continues to compose. Abetted by assistants, samplers, and a new software called Jaws, he is soldiering on. One hopes that the Grawemeyer’s $200,000 prize will assist in this endeavor. So, composers,  next time you’re planning to tell your commissioner why the piece isn’t done, you’ll need a pretty

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