Tag: Carmen-Helena Tellez

Contemporary Classical, Festivals, File Under?

Princeton Festival’s Dreaming/Undreaming (Video)

This past weekend, Kosmologia Interdisciplinary Ensemble premiered a multimedia work, Dreaming/Undreaming, at the Princeton Festival. The piece combines dance, video art, and piano music by J.S. Bach and the ensemble’s artistic director Carmen-Helena TéllezHere is the trailer.

When I learned that it was inspired by two short stories of Jorge Luis Borges, “The Library of Babel” and “The Aleph,” the project piqued my interest. The juxtaposition of Bach with Téllez’s more atmospheric compositions is an intriguing way to underscore the work’s two sources. The two strands of identity allow dancer Alexa Capareda to create two “characters” with distinct movement identities. Pianist Natasha Stojanovska plays assuredly. Her Bach is “old school” in terms of tempo and rubato, but convincing when set alongside the video. Performance footage and images of libraries, architecture, and labyrinthine series of staircases also make the Borges connection clear.

After enduring so many performance videos in the pandemic of dubious quality, it is refreshing to see what Kosmologia’s team has put together, a visually appealing multidisciplinary work that entertains across its several domains.

Choral Music, Classical Music, Concerts, Contemporary Classical, Events

PASSION with Tropes by Don Freund

Art by Margaret Dolinsky, Copyright 2011

Dear Colleagues,

If you are in the vicinity of Bloomington,  Indiana, come join us at the premiere of the 2011 version of Don Freund‘s PASSION with Tropes, scheduled for May 20 and 21 at the Ruth N. Hall Theatre of Indiana University. Originally conceived as a monumental oratorio for large forces, it was adapted by Freund for an immersive and interactive multidisciplinary production. In this 80-minute version, PASSION with Tropes is cast for actors, dancers, and an ensemble of  approximately 40 voices and  instrumentalists who take multiple roles as soloists,  chamber groups and even as a jazz combo. It has been a fascinating process to see how the work has gained unexpected layers of meaning under the lens of the interdisciplinary artists. For more information, visit: http://blogs.music.indiana.edu/passionwithtropes/