Tag: CD

BAM, CD Review, Contemporary Classical, Criticism, File Under?, Fundraising, jazz, Piano, Video

Two Favorite of 2024 Recordings from Ethan Iverson (CD Review)

  Ethan Iverson – Technically Acceptable (Blue Note CD, 2024) Ethan Iverson – Playfair Sonatas (Urlicht Audiovisual 2xCD, 2024)   Ethan Iverson is one of the foremost jazz pianists of his generation. An alumnus of the Bad Plus, he has since appeared with a number of artists, both live and on record. He currently teaches at New England Conservatory of Music. Iverson revels in researching all the eras of jazz, from its inception to the most recent innovations, and is also an advocate for American concert music composers of the twentieth century. His Substack, offers a bevy of information about

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Chamber Music, Contemporary Classical, Electro-Acoustic, Experimental Music, File Under?

Kyle Bruckmann: of rivers (Recording review)

  Kyle Bruckmann of rivers New Focus Recordings   Oboist, composer, and electronic musician Kyle Bruckmann is a dedicated advocate for contemporary concert music. One of the founding members of Splinter Reeds, he currently plays in a number of ensembles in the San Francisco Bay area, including sfSound, San Francisco Contemporary Players, and the Stockton Symphony. Bruckann teaches oboe and contemporary music at University of the Pacific.    On his latest recording, Bruckmann programs a number of pieces that incorporate wildly challenging extended techniques and, in some, electronics. Bruckmann’s own Proximity, Affect features the latter, as well as deconstructed instruments.

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Brooklyn, CDs, Concerts, Contemporary Classical, File Under?, Microtonalism

In a Nutshell: An Interview with David Smooke

On Sunday, January 22nd at 7pm at National Sawdust in Brooklyn (80 North 6th Street), composer and toy pianist David Smooke will celebrate the release of his New Focus CD Nutshell Studies of Unexplained Death. Joined by album personnel loadbang, Karl Larson and Michael Parker Harley, Smooke will also perform and improvise on the toy piano. I recently caught up with him and discussed the new recording, compositional approaches, and some future plans. What attracts you to composing for and performing on the toy piano? The sound of the toy piano evokes an idealized childhood, the sort that no one I know actually enjoyed and yet many of us

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