The program so sincerely produced on the labor of forgetting, the debut release from False Azure Records, reminds me of Pauline Oliveros, who once said, “Listening is selecting and interpreting and acting and making decisions.” Indeed, the music of Katherine Balch (b. 1991) and Dante De Silva (b. 1978), in the handling of soprano Lucy Fitz Gibbon and pianist Ryan MacEvoy McCullough, underscores the agency of listening as a process in physical flux, even when its subjects are fixed in time and space. The aural objects herein, as grandly interpreted as they are intimately assembled (if not the reverse), bend