Tag: Ondine

CD Review, Choral Music, Contemporary Classical, File Under?

Žibuoklė Martinaitytė Aletheia – Choral Works (CD Review)

Žibuoklė Martinaitytė Aletheia – Choral Works Latvian Radio Choir, Sigvards Kļava, artistic director and conductor Ondine   Žibuoklė Martinaitytė (b. 1973) divides her time between her home country, Lithuania, and the United States. Her works have earned her accolades and laurels such as the Guggenheim Fellowship and a residency and commission from Aaron Copland House. She is well known for exquisitely constructed and powerfully scored orchestral music. On Aletheia, a different side of Martinaitytė’s music is shown; her music for a cappella mixed chorus. None of the pieces programmed on the recording use conventional texts, instead exploring a number of

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CD Review, Cello, Contemporary Classical, File Under?, Percussion

Žibuoklê Martinaitytê – Ex Tenebris Lux (CD Review)

Žibuoklê Martinaitytê Ex Tenebris Lux Pavel Gunter, percussion; Rokas Vaitkevičius, cello Lithuanian Chamber Orchestra, Karolis Variakojis, conductor Ondine    Ex Tenebris Lux is the second portrait recording in as many years for composer Žibuoklê Martinaitytê. The works here are for string orchestra, two of them with soloists. They present a reduced language, often involving modal collections without any accidentals. Despite this, Martinaitytê draws forth a variety of compelling sonorities and textures.   The Lithuanian Chamber Orchestra plays seamlessly, with rich tone and precise intonation. The title work, from 2021, is abetted by these qualities, its descending arpeggiations and vertical sonorities

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CD Review, Contemporary Classical, File Under?

Magnus Lindberg on Ondine (CD Review)

  Magnus Lindberg Aura – Marea – Related Rocks Emil Holmström, Joonas Ahonen, piano and keyboards;  Jani Niinimaki, Jerry Plippomem, percussion  Finnish Radio Symphony Orchestra, Hannu Lintu Ondine   This recording includes three live recordings of compositions from the 1990s by Magnus Lindberg. Hannu Lintu leads the Finnish Radio Symphony Orchestra in energetic and focused renditions of two of these challenging works, bringing out considerable detail from Lindberg’s vivid orchestrations. A quartet of pianists and percussionists perform the chamber piece, Related Rocks, an interesting corollary to the larger compositions.    By 1990, when Lindberg had completed Marea, he was already

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