Tag: Pulitzer

Contemporary Classical

RIP Charles Wuorinen (1938-2020)

American composer, conductor, and pianist Charles Wuorinen has passed away. Wuorinen was the first person to be awarded the Pulitzer Prize for an electronic music work, Time’s Encomium. He was also a MacArthur Fellow and received numerous other commissions and awards. His book, Simple Composition, is one of the clearest explications of composing using 12-tone techniques. He was my teacher at Rutgers University for four years, where I was studying for the Ph.D. in Music. One of the best sight-readers I have met, his musicianship was impeccable and intellect formidable.

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Best of, Boston, CD Review, Conductors, Contemporary Classical, Criticism, Critics, File Under?, Orchestral, Recordings, Review, San Francisco, Saxophone

Best Orchestra Portrait CD: BMOP Plays Peterson

Wayne Peterson Transformations Boston Modern Orchestra Project, Gil Rose, conductor; PRISM Quartet BMOP/sound 1053   Composer Wayne Peterson (b. 1927) served as one of his generation’s fixtures on the West Coast music scene where, in addition to several other academic appointments, he elevated the composition program at San Francisco State to prominence. Despite fine recordings of his chamber music, this is his first portrait disc of orchestral music. 2017 has been a year where Boston Modern Orchestra Project, under the inspired direction of Gil Rose, has released a number of fine recordings, including CDs of works by Paul Moravec, David

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Awards, File Under?, Improv, jazz

Threadgill Wins Pulitzer

Congratulations to composer and multi-instrumentalist Henry Threadgill, who has won the 2016 Pulitzer Prize in music. One of the original AACM members, Threadgill’s recent work has been distinguished by an intervallic approach to improvisation, in which each member of the band has a limited catalogue of intervals that they can perform, with the sum total creating intriguing harmonic and contrapuntal materials. In for a Penny, in for a Pound, the prizewinning work, features Zooid, the band with which Threadgill has worked for fourteen years, using just such an approach to making music. In addition to two short movements, Threadgill has

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