Tag: Sequenza 21

Choral Music, Composers, Concert review, Conductors, Contemporary Classical, File Under?, New York, Orchestras

Adés Conducts the New York Philharmonic

Adés Conducts the New York Philharmonic David Geffen Hall January 24, 2026  Published in Sequenza 21 By Christian Carey   NEW YORK – Thomas Adés is best known as a composer, but he is a talented conductor as well. Leading the New York Philharmonic in a program of recent works and a neglected early twentieth century piece, his approach was effusive and commanding, with a versatile and fluid gestural repertoire. The orchestra’s musicians always play at a high standard, but their performance on last Saturday’s concert was superlative, and given the challenges posed by the programmed pieces, all the more

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by Christian Carey
CD Review, Composers, Concerts, Contemporary Classical

Music for Guitars, Bass Clarinets & Contrabasses on Aural Terrains

Music for Guitars, Bass Clarinets & Contrabasses – Various Artists (Aural Terrains) Last month, I was pleased to have my music visit Cafe Oto for the first time, with Feier, a solo piece, performed on a contrabass clarinet. The venue is well known for presentations of experimental music of many kinds. Not all of the shows there are in circulation, but Cafe Oto has some releases for sale on their website. Others have been documented for the label Aural Terrains, including a new recording of a gig from 2023, made by a most heterogeneous grouping of instrumentalists: guitarists, bass clarinetists,

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by Christian Carey
Concerts, File Under?, New York

Chris Thile: Bach, Bluegrass and Radiohead at the Y

Chris Thile at 92nd Street Y Kauffmann Concert Hall October 19, 2025   NEW YORK – Chris Thile is one of the best mandolinists around, and he has established himself as a singer, songwriter, and storyteller as well. On Sunday, he performed a solo concert at the 92nd Street Y that brought together these various activities. From 2016 to 2020, Thile hosted Live from Here, a variety show for public radio modeled on its predecessor A Prairie Home Companion. The pandemic made continuing the show impractical but he has since returned to the concept via podcasting, and his performance at

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by Christian Carey
CD Review, Chamber Music, Contemporary Classical, File Under?, Recording review, Recordings, Twentieth Century Composer

Tobias Picker, NOVA (Recording review)

Tobias Picker NOVA Various Artists Bright Shiny Things   Composer Tobias Picker won a Grammy for his 2020 operatic version of The Fantastic Mister Fox, and many pianists have first encountered him through the diatonic piece The Old and Lost Rivers. Picker has another side to his musical persona that is in no small measure reflective of his time as a student of Milton Babbitt, Elliott Carter, and Charles Wuorinen. The Bright Shiny Things recording NOVA includes chamber music that celebrates these high modernist roots, as well as forays into postmodernism.    The title work is the latter, a riff

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by Christian Carey
Chamber Music, Classical Music, Concerts, File Under?, New York

Bell-Isserlis-Denk Trio and Friends

Bell-Isserlis-Denk Trio and Friends Midsummer Musicfest at Kaufmann Concert Hall, 92nd Street Y July 9, 2025   NEW YORK – July often finds New York-based musicians playing in summer festivals well outside the city. The 92nd Street Y’s Midsummer MusicFest enticed a small handful of luminaries back to town to play chamber music at the venue’s Kaufmann Concert Hall. Violinist Joshua Bell, cellist Steven Isserlis, and pianist Jeremy Denk have joined forces before, but not for a while in New York. In 2024, to commemorate the one hundredth year of his passing, they toured programs of music by the French

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by Christian Carey
CD Review, Contemporary Classical, File Under?

Lisa Illean Debut on NMC (CD Review)

Lisa Illean Arcing, stilling, bending, gathering NMC Records, 2024 Composer Lisa Illean (b. 1983) is from Australia and has been based in recent years in the UK. Her work encompasses a variety of techniques, including alternate tunings and sampled electronics. These are means to consummately expressive ends, and Illean’s music maintains an organic sensibility irrespective of how the sounds are formed. The title piece, performed by the Australian Academy of Music, is split into various constellations of sound: small groups of strings, solo piano, and pre-recorded sound. Illean uses detuned pitch collections to make a supple harmonic language. Like much

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by Christian Carey
Choral Music, Concert review, Contemporary Classical, early music, File Under?

The Sixteen at St. Mary’s (Concert Review)

The Sixteen, conducted by Harry Christophers The Deer’s Cry Miller Theatre Early Music Series at Church of St. Mary the Virgin Saturday, October 26, 2024   NEW YORK – This past Saturday, renowned British vocal ensemble The Sixteen, conducted by Harry Christophers, made their Miller Theatre Early Music Series debut. Presented at Church of St. Mary the Virgin in midtown, the group performed music from their latest recording on Coro, The Deer’s Cry. Consisting of works by English Renaissance composer William Byrd (1540-1623) and Estonian composer Arvo Pärt (1935-), this seemingly eclectic pairing worked well together. Christophers may often be

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by Christian Carey
CD Review, Contemporary Classical, Electro-Acoustic, File Under?

Splinter Reeds – Dark Currents (Recording Review)

Splinter Reeds – Dark Currents (Cantaloupe)   Splinter Reeds, the West Coast’s first wind quintet, has distinguished themselves as advocates for living composers. Dark Currents, their latest recording for Cantaloupe, features two twenty-ish minute long pieces, Tall Grass (2022) by the totalist composer and Bang on a Can member Michael Gordon, and Antenna Studies (2018) by Paula Matthusen, a professor at Wesleyan who is one of the finest experimental electronic composers of her generation; both works were written for Splinter Reeds.   Gordon  has steadily developed an eclectic musical language that exhibits fluency and variety in large scale forms. The

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by Christian Carey
CD Review, File Under?, Piano, Twentieth Century Composer

Donald Berman plays Ives (CD Review)

Donald Berman Ives Avie, 2024   Pianist and scholar Donald Berman has made a special inquiry into the music of American hyper-modernist composers, Charles Ives chief among them. This year marks the sesquicentenary of Ives’s birth, and Berman celebrates the occasion with an Avie CD of the original piano version of St. Guadens (“The Black March”), best known as one of the movements of the orchestra piece Three Places in New England, and his own scholarly edition of the totemic Piano Sonata No. 2, Concord Mass., 1840-1860, usually known by its nickname, the “Concord Sonata.”   One of the challenges

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by Christian Carey