Tag: William Byrd

Choral Music, Concert review, Contemporary Classical, early music, File Under?

The Sixteen at St. Mary’s (Concert Review)

The Sixteen, conducted by Harry Christophers The Deer’s Cry Miller Theatre Early Music Series at Church of St. Mary the Virgin Saturday, October 26, 2024   NEW YORK – This past Saturday, renowned British vocal ensemble The Sixteen, conducted by Harry Christophers, made their Miller Theatre Early Music Series debut. Presented at Church of St. Mary the Virgin in midtown, the group performed music from their latest recording on Coro, The Deer’s Cry. Consisting of works by English Renaissance composer William Byrd (1540-1623) and Estonian composer Arvo Pärt (1935-), this seemingly eclectic pairing worked well together. Christophers may often be

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Best of, CD Review, Composers, File Under?, Piano, Twentieth Century Composer

Best of 2021 – Piano Music

William Byrd and John Bull The Visionaries of Piano Music Kit Armstrong, piano  Deutsche Grammophon CD   In The Visionaries of Piano Music, Kit Armstrong plays two of the greatest English keyboard composers active during the reigns of Elizabeth I and James I on the modern piano, aiming to show what he calls “a seamless line of development” between this repertory and more recent music written explicitly for the piano. William Byrd (ca. 1540-1623) and John Bull (ca. 1562-1628) wrote for very different instruments from the piano, the harpsichord and its smaller companion the virginal; Christofori developed early versions of

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Choral Music, Concert review, early music, File Under?

Stile Antico at St. Mary’s (concert review)

Stile Antico in Concert October 13, 2018 Church of St. Mary the Virgin By Christian Carey   NEW YORK – The first concert in Miller Theatre’s 2018-19 Early Music Series, given in midtown at the Church of St. Mary the Virgin, presented the acclaimed choral group Stile Antico from the UK. They have made regular appearances on the Miller series. As is their custom, Stile Antico sang without a conductor in a semicircle facing front. The occasional setup change consists of singers changing formation and, in pieces in which the full ensemble isn’t required, “extra” singers sit down.   They

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