The only thing bad about a concert called “Mostly Californian?”
…Is that it’s happening in California, and not spreading the wonderful work and word in some navel-gazing opposite coast (NYC, I’m talkin’ to youz!). But even those who are or might be L.A.-bound, what better place to be on a Monday night (January 11 2010, 8:00pm; Zipper Concert Hall at the Colburn School), than taking in this absolutely fine mix of the old and the new?:
California has always attracted innovators. Three composers from Los Angeles, Berkeley and San Diego confirm this is still the case. In a program showcasing the variety of activity in our own backyard, Michael Pisaro’s gently expansive The Collection is presented in a version for twenty players. Luciano Chessa’s Variazioni su un oggetto di scena and Louganis (with a video by Terry Berlier) create a poignant lyricism in his radical and theatrical works, including a tribute to Olympic diver Greg Louganis scored for piano and electric toothbrushes. Clint McCallum’s in a hall of mirrors waiting to die pushes a saxophonist to his physical limits, while the sax also enlivens two rarely-heard non-Californian 20th century classics: Anton Webern’s Quartet and Milton Babbitt’s All Set for jazz ensemble.
With Eliot Gattegno, saxophone; Eric Wubbels, piano; Benjamin Lulich, clarinet; David Fulmer, conductor and violin; David Borgo, saxophone; Scott Worthington, double bass; Brian Archinal, percussion; Ross Karre, percussion; Avi Bialo, trumpet; Ian Carroll, trombone; Luciano Chessa, piano.
Tickets and more info at MondayEveningConcerts.org.