Monday: Too Many Concerts
It’s one of those evenings when you wish you could be at two New York concert venues at once!
Mohammed Fairouz’s opera, Sumeida’s Song, will be performed at Zankel Hall on 4/2 at 7:30. The work is based on playwright Tawfiq El Hakim’s Song of Death. Presented by the Mimesis Ensemble (conducted by Scott Dunn), the cast features soprano Jo Ellen Miller, mezzo Rachel Calloway, tenor Robert Mack, and baritone Mischa Bouvier. (Ticket info here).
Also on Monday at 7:30 PM, Cutting Edge Concerts Festival kicks off its fifteenth season at the Leonard Nimoy Thalia Theater at Symphony Space. Monday nights in April will feature concerts and composers in conversation with the festival’s curator, composer and conductor Victoria Bond (ticket info here).
Jazz pianist Jim McNeely joins the Danjam Orchestra perform two works inspired by Paul Klee paintings. They will also perform the world premiere of a new work by saxophonist Daniel Jamieson. The program also features the premiere of N. Lincoln Hanks’ Monstre Sacre, assayed by pianist Paul Barnes. Finally, tenor Rufus Muller and pianist Jenny Lin perform a work by Bond, based on a portion of James Joyce’s Ulysses, entitled Leopold Bloom’s Homecoming.
The Cutting Edge Concert on Monday April 9th includes works by Roberto Sierra, Judith Shatin, and Tania Leon. And Sequenza 21 readers should be sure to mark their calendars for the Cutting Edge show on April 16. Washington DC’s Great Noise Ensemble, led by S21’s own Armando Bayolo, visits the Big Apple to present a program that includes violinist and composer Cornelius Dufallo in a new piece for amplified violin and ensemble.